Recently, the Shenyang Acrobatic Troupe released the acrobatic drama "The First Sound", which tells the story of the brave and indomitable resistance of the people of Northeast China against aggression. It not only sounded the first sound of promoting the great spirit of the Anti Japanese War through acrobatics, but also became a representative work of the evolution of acrobatic dramas into a comprehensive dance platform style that showcases deep thoughts and rich emotions. In 1931, the September 18 Incident broke out, and the people of Shenyang rose up in rebellion. Huang Xiansheng, who was then the director of the Public Security Bureau, was a patriotic general who had been at the forefront since the beginning of the Anti Japanese War. The title of "The First Voice" first reminds people of Huang Xiansheng. The drama places Huang Xiansheng in the middle of the set, outlines his profile with a few strokes, and uses thick ink to depict the ordinary people around him. This not only gives the work a more profound historical atmosphere, but also frees up ample space for the creation of the drama. Practice has proven that the representative and immersive fate of Wang Tiezhang, Wang Auntie, and their three children runs through the entire drama, better reflecting the patriotic sentiment of "the rise and fall of the world, and the responsibility of every individual.". The acrobatic drama "Xiansheng" is based on historical facts at important historical nodes, but it fully demonstrates creativity and imagination in the overall dramatic structure, presenting a solid, rigorous, and passionate style on the stage. Wang Tiezhang, who died young, was a hero in the martial arts world in Northeast China. He founded the "essence Martial Arts School" to teach martial arts to young people in Northeast China such as Huang Xiansheng. After Wang Tiezhang was brutally killed by Japanese ronin, the martial arts school continued to be active in the martial arts world under the leadership of his wife Wang Daniang. Now, their eldest son Wang Dali has grown into a military officer in the Northeast Army, their second son Wang Dakui, a railway worker, is actually a special reconnaissance officer of the Communist Party of China Manchuria Provincial Committee, and their youngest daughter Wang Xiaoying is a progressive student at Northeast University. The character settings in "The First Voice" are concise, clear, and reasonable, with clear and representative relationships between characters. The use of darts to connect characters in appearances is quite creative. After the characters appeared one by one, the entire drama presented the full picture of the "September 18 Incident" and the "spirit and spirit" of the people of Northeast China in nine chapters, cleverly and naturally incorporating more than 30 thrilling techniques and wonderful magic into the plot, presenting a typical scenario of tragedy, thrilling, and beautiful on stage, reflecting the indomitable and persevering belief in victory. "The First Sound" fully demonstrates the determination and progress of acrobatic drama creation. In terms of overall performance, it achieves the integration of various artistic elements on stage, reflecting film thinking and stage play temperament. The whole drama combines the feelings of husband and wife, father and son, siblings, mentors and apprentices, and comrades to create a strong sense of patriotism. The characters are handsome and heroic, and the costumes have a Northeastern style. And Huang Xiansheng, Wang Tiezhang, Wang Dali, and Wang Dakui's every move and gesture is refreshing and heroic, embodying the unique body language of Northeasterners. The acrobatic movements with male skills as the main body highlight the thrilling nature of acrobatics, full of the masculine and masculine aura of British martial arts, demonstrating the national integrity of Northeasterners who see death as their home, prefer death rather than surrender, and the heroic spirit of fearless violence and fighting to the end. The Xiansheng did not reduce the difficulty of its techniques due to its emphasis on storytelling. For example, in the scene of "Beidaying Military Training", the world-renowned "Soaring Bar" in Shenyang acrobatics is the core action, with five actors flipping up and down, which is amazing. For example, in the scene of "street battles", there is a battle between life and death, as well as the competition between motorcycles and speed