Dance drama creation is in the ascendant, and the dance drama market is exceptionally hot. Phenomenal dance dramas have become the "flower of the times" in the eyes of the audience, using the hand of art. Today, the "dance drama craze" is being considered and scrutinized in full view of the public, and problems such as the logic of emotional expression, the line of cut in angle, and the use of Artistic language are gradually emerging, causing "cold thinking" in the industry - some dance drama characters are not bright enough, and even the phenomenon of "everyone is one" appears; Some dance dramas are created for awards, and after only a few performances, they are shot and stabbed; Some editors and directors are too prolific, which inevitably leads to "activity"... All kinds of phenomena show that the hidden worries behind the prosperity of foam need to be faced up to and responded to. The primary challenge faced by current dance drama creation is the low proportion of real-life themed works and the lack of peak acclaimed and popular works. Feng Shuangbai, Chairman of China Dancers Association, said frankly: Dance drama creation, especially the creation of real-life themes, firstly requires daring to respond to challenges, persistently delving deep into life, making great efforts to solve the dual gap between real life and artistic reality, refining and shaping typical examples, and revealing the essence of historical development. Secondly, it is necessary to be adept at responding to challenges, understand how to respond artistically to the propositions of the times, and create more literary and artistic works with strength, morality, and warmth, Do you have enough room for thinking? The Chinese dance drama has become a beautiful scenery on the art stage in the creative practice. In the past 40 years, especially since the 18th National Congress of the Communist Party of China, there have been gratifying changes in dance drama creation, with a surge of good plays. "In today's world dance drama, Chinese dance drama has gone out of the artistic path different from that of the West." Luo Bin, the secretary of the branch party group of the Chinese Dance Association and the vice chairman in residence, said that while encouraging and cheering for the rising of Chinese dance drama, we should also pay attention to that, because of the short development time and huge production, there has been variation behind it, and even foam worries. If creators do not leave room for thinking, but instead use industrial assembly lines to create art, it can only be called 'doing work', and you are no longer an artist. "" The craze has caused a big wave, and the big wave has to wash away the sand! "Wen Zhenya, a consultant and first level director of the Guangdong Dance Association, expressed concern about the current dance drama creation. He revealed that after winning national awards for his previous works, there have been numerous creative invitations, including not only screenwriters from other art genres seeking cross-border cooperation, but also hilarious invitation topics such as "Star Wars" and "Underworld Dialogue". Wen Zhenya pointed out that artistic creation cannot blindly pursue speed, but some dance drama creations are clearly "speeding". Some choreographers can produce four or five dance dramas in a year. It is said that they first complete the dance and then find music to fill in the blanks. Some dance dramas have been arranged for a month or two and are quickly performed in just three or five days. These phenomena are not in line with the laws of artistic creation, and have also led to some crude and poorly produced works. "Wen Zhenya emphasized," Dance drama creation must 'do something, do nothing' After the success of the director, invitations quickly flooded in from all directions, and the creative theme was very clearly selected. The creator's own initiative, freedom in material selection, and depth of thinking went