Shanghai is hot and the temperature has repeatedly exceeded 40 degrees Celsius. However, people's enthusiasm for the Shanghai Museum has not diminished. Many parents took their children on summer vacation to visit the Xia Shang Zhou relics from Henan. Shanghai Museum and Henan Museum jointly launched the first special exhibition of the "why China" cultural relics and Archaeology Exhibition: "dwelling in China - Henan Xia, Shang and Zhou dynasties Civilization Exhibition", which saw more than 200 precious cultural relics of Xia, Shang and Zhou dynasties at one time. This opportunity is extremely rare. The source of Chinese civilization is as bright as the stars in the sky, and the struggle and harmony between the two rivers and the Luo river gradually show the thread of "bright moon and few stars". It is often said in the cultural relics circle that if you look at the 5000 year old civilization going to Henan, you might as well go to Shanghai to see the Xia, Shang and three dynasties that have walked out of the ancient fog. The ancestors who once had blurred eyes and eyebrows, under the promotion of the project of exploring the source of Chinese civilization, have shown increasingly clear and vivid expressions. In the past, the history was shallow in the summer. Now, outside the rope pattern urn, there is a more delicate legacy. The beastly eyes and curved lips on the pottery are lifelike. Erlitou is decorated with bronze plates with Turquoise animal face patterns. After more than 3600 years, it is still in perfect condition. There is also the Shang Dynasty of "strong Tang oath". Its utensils and patterns are free from restraint, flexible and flying, and the Sima Xinding is magnificent, grand, noble and solemn. It is made for the female generals and women's wives, who are constantly recited by the soldiers. If you haven't seen the touching interaction between the two in the tortoise shell Oracle, you might as well think about how the women's wives cut barbecued meat and drank wine from a bone tiger that was once the handle of a knife. What's more, it is like the Zhou ritual. From time to time, you can find a naive school in the gap between the strict rites and music. For example, the side mask from the Yingguo cemetery in Pingdingshan, walking alone through the ancient and modern times, can be seen with a smile; While the gold and silver inlaid flowery tripod in the Warring States period is solemnly seated at the entrance of the exhibition, paying tribute to the gold and silver inlaying process that has been spread since 2000 years ago. The cloud animal face is as polished as a stone, showing a yearning for the stability of the present world... The special exhibition "Zhaizi China" makes Xia, Shang and Zhou "live" in the present. After experiencing the craftsman's craftsmanship, temple worship, chaos and war, the three dynasties' important artifacts that have been moving between the river and the Luohe River suddenly appear in the south of the Yangtze River and bump into the eyes... They are so leisurely and vague that they face to face with the old and young viewers. They have the same voice and strong emotions. Even in Henan, such a large scale may not cover all the seats. Today, Henan's profound history and generous mutual respect, as well as the admiration of Chinese ancestors and the wisdom of Expo curation in the modern Shanghai, immediately coincide with each other, and have made countless visitors feel the same and enjoy their eyes. From the dating project of Xia, Shang and Zhou Dynasties to the source exploration project of Chinese civilization, the relevant archaeological achievements are flourishing here. How to get him out of the headlines of the archaeological papers, out of the textbooks, brilliant in the eyes of the people, stay in the hearts of the children, realize the theory of history with things, and enhance the trust with history. The efforts of going to the Expo are commendable. After a half day's tour of three generations, I first learned "why China" - this is the beauty of visiting museums and the charm of exploring the source of Chinese civilization. The towering trees have their roots, and the water of Huaishan has its source