In the Chinese Intangible Cultural Heritage Museum in Beijing, admire the Dunhuang pattern manuscripts of craft artists; In the newly opened Xizang Intangible Cultural Heritage Museum, you can feel the colorful Thangka, beautiful and practical weaving skills at a close distance; In the Six Dynasties Museum located in Jiangsu, wearing Hanfu to make a painted fan... This year's May Day holiday, not only is the cultural and tourism market active and the commercial district consumption hot, but intangible cultural heritage exhibition halls across the country also attract tourists to experience check-in and enjoy the beautiful holiday time full of cultural heritage with rich activities. According to Ctrip data, on the first day of the May Day holiday, outdoor tours such as museums, theme parks, and famous mountains and rivers were popular among the public. The orders for museum scenic spots increased by 31% year-on-year on the first day of last year's holiday. The interviewed experts believe that tourism has shifted from a single scenic spot to a comprehensive experience and perception of historical and cultural skills. This change promotes the integration of intangible cultural heritage and cultural tourism activities in the inheritance process, and promotes the leapfrog development of exhibition hall ticket economy towards regional cultural economy. While enhancing regional cultural heritage and economic benefits, it becomes a cultural and tourism feast for tourists to experience intangible cultural heritage "old craftsmanship" on the "new stage". On May 1st, in the Intangible Cultural Heritage Museum of the Baiyetan Dawan District Art Center in Guangzhou, the exciting Meixian string puppet show attracted many tourists to stop and watch. On April 29, Yuxi Intangible Cultural Heritage Exhibition Hall opened in Eshan County to show the effectiveness of intangible cultural heritage protection on the China Laos Railway. On May 1, the Museum of Xizang's Intangible Cultural Heritage officially opened in Lhasa, with 19 exhibition areas displaying 10 major intangible cultural heritage projects in Xizang and 91 "intangible cultural heritage" projects in total. The Bai'etan Greater Bay Area Art Center, which integrates Guangdong Art Museum, Guangdong Intangible Cultural Heritage Exhibition Center, and Guangdong Literature Museum, opened its doors to visitors in Guangzhou on May 1st. During this year's May Day holiday, many newly built intangible cultural heritage exhibition halls across the country have opened their doors to welcome visitors and launched a series of boutique activities to showcase the charm of cultural heritage to visitors. For example, in Guangzhou, May 1st of this year coincided with the traditional Chinese culture of March 23rd "Mother's Birthday". The Bai'etan Greater Bay Area Art Center, which opened on that day, invited a group of intangible cultural heritage inheritors to teach the audience how to experience intangible cultural heritage skills. Wang Xinyuan, the city level inheritor of Guangdong Embroidery (Guangzhou Embroidery), said that the opening of the exhibition hall provided a large platform for Guangdong intangible cultural heritage projects. There were both static and dynamic demonstrations in the hall, and it was right beside the the Pearl River. The transportation was convenient. "The dissemination and promotion of intangible cultural heritage is the best". It is also understood that the newly welcoming intangible cultural heritage exhibition hall has gained a large number of visitors. During the May Day holiday, some exhibition halls had their tickets booked and sold out before the official opening. For example, tickets for May 1-4 at the White Goose Pond Greater Bay Area Art Center were already booked before the official opening. On May 1st, at the Huichang Tubu Cultural Park in Dongkaizhang Village, Kaizhang Town, Yongji City, Shanxi Province, planning an immersive experience activity to bring old crafts to life, a Tubu making technician taught tourists weaving skills. During the May Day holiday, various regions criticized the innovative immersive experience methods of exhibition halls, which increased the number of interactive activities