A video of a national intangible cultural heritage inheritor of Gan Opera playing with a flower gun in a university classroom has become popular on the internet, and the ancient Gan Opera with hundreds of years of history has ushered in a "youthful expression". Wearing costumes, playing with flower guns, throwing water sleeves Recently, at the Gan Opera Art Appreciation Class at Nanchang University, Chen Li, a national first-class actor and inheritor of the national intangible cultural heritage of Gan Opera, waved her sleeves and looked stunning. This scene was also captured by students and posted on short video social media platforms, receiving over a million likes. "Many young people do not dislike traditional Chinese opera, but they have not yet understood its charm. When students immerse themselves in opera, they will discover the charm of this traditional Chinese culture." Chen Li said that in the classroom, whether it is the gentle and graceful folding fan or the powerful and powerful flower gun, many students are eager to try it. Gan Opera is one of the national intangible cultural heritages, and the Yiyang Opera, one of the four major vocal tunes of the Ming Dynasty, is its vocal foundation. During the Kangxi and Qianlong periods of the Qing Dynasty, the birthplace of Gan Opera, the "Bangzi Luan Tan Opera", emerged in the northeastern region of Gan. Zheng Tinggui, a Fuliang native of Qianlong in the Qing Dynasty, wrote in his "Tao Yang Zhu Zhi Ci": "Qing kilns burn good dragon jars to show off their old and new companions. Tao Qingtao gathered together to pay tribute to the gods and the sun, singing and playing the opera." Over the course of history, Gan Opera absorbed Kunqiang and Luan Tan, forming a multi tone genre. ". At present, there are more than 200 pieces of Gaoqiang opera in Gan opera, and it still retains the artistic characteristics of Yiyang opera, which is characterized by a lack of score and only following local customs. "The singing, recitation, and performance in traditional Chinese opera are very particular, and it is a comprehensive art. How to attract more young people to pay attention to Gan opera is something I have been doing." Chen Li, who has been exposed to Gan opera since the age of 12, said that she has always been very concerned about the inheritance and innovation of Gan opera. In order to attract more young people's attention to Gan Opera, many inheritors have put in great effort in the creation of Gan Opera. "The character of Du Liniang can be found in many dramas. In Peking Opera and Kunqu Opera, Du Liniang gives people a feeling of being a lady from a wealthy family, but in Gan Opera, Du Liniang portrays a lively and youthful image." Chen Li said that most dramas only play until Du Liniang's resurrection, but Gan Opera portrays Du Liniang after her resurrection, telling her story of fighting for freedom and love. In addition to constantly innovating in the script, Chen Li also pays more attention to the integration of traditional culture and modern art in her performance style. Chen Li stated that in the process of inheriting Gan Opera, she absorbed the performance style of traditional Chinese opera, as well as drew inspiration from the body movements of dance and the accompaniment of symphony, attracting the love of young people. Injecting new vitality into the ancient form of Gan Opera is the direction that I have been researching and striving for. "Without going to the garden, how can we know the spring scenery is like this?" Chen Li, who was in a university classroom, had clear and firm eyes, a high pitched and melodious singing voice, a folding fan in her hand rotating flexibly, and a water sleeve waving not only attracted students to take photos and record, but also attracted many students to learn together. "I feel like I'm about to reach the age where I enjoy listening to movies." "These actions all look so beautiful." In the popular video comments, many netizens expressed "real name envy of such university classrooms.". In the following class, I will talk to you about Tang Xianzu's visit