The protection, inheritance and out of circle dissemination of traditional Chinese opera is a "University question". At the two sessions of this year's National People's Congress, Zeng Xiaomin, deputy to the National People's Congress and President of Guangdong opera academy, suggested the establishment of a full-time Guangdong opera academy to set up professional teaching such as drama choreographer, director, performance, sound and beauty, and then carry out rescue protection for various operas in Dawan district. As a practitioner of traditional opera, Zeng Xiaomin spoke for the industry, and the way out of traditional opera once again attracted attention. Take Cantonese opera for example, it has always been full of masters and famous actors. In 1956, the master of Cantonese opera art, Ma Shizeng, and red thread girl jointly starred in Soshu Academy in Beijing popular theater, winning the reputation of "southern red beans" for Cantonese opera. At present, the Cantonese opera film "the story of the White Snake" starring young actor Zeng Xiaomin has broken a new record at the box office of Chinese film history opera films and become a new milestone in Chinese opera films. However, Cantonese opera, which has always been dominated by famous actors, does not have a relatively smooth talent training mechanism, and the shortage of talents is worrying. Zeng Xiaomin pointed out a real situation: at present, Guangdong basically has no perfect and comprehensive opera talent training institutions; Even the students selected to study in schools such as the Chinese Academy of traditional opera also have various problems, such as the difficulty of returning personnel and the lack of local drama style after learning. It can be seen that it is very necessary to improve the professional training system of opera talents and build a high-level opera professional college, so that Liyuan opera garden can continue to usher in new life. To "do" for the opera, we need to take the initiative and do it for a long time. Zeng Xiaomin suggested the establishment of a local opera academy to take root in local operas and accurately train drama talents; Only when "one move in one form" is more solid and talents train new talents, will the sound and rhyme of opera be stronger. People have human feelings, and the play has a playful flavor. Actors need to receive professional and systematic training to truly master the doorway and performance taste. Only by continuously improving their cultural literacy and technical details can they create more good plays. High level professional drama colleges focus on many high-end professional education resources, which can not only cultivate more new opera talents, but also solve the rigid demand of opera practitioners for further study. At the same time, the cultivation of talents in opera is also a blessing for the audience, who can enjoy more high-quality cultural meals. Twelve years ago, the activity of "Cantonese Opera on campus" had entered the student groups all over Guangdong. The popularity of Cantonese opera culture was different. At that time, there was a sound of Cantonese rhyme on the youth campus, but it could not reach the effect of lingering sound. Sometimes, it is not that young people are unwilling to accept traditional opera, but the lack of real opera soil. The outstanding role of opera in the dissemination of culture can be played by the whole opera academy, so that it can play a leading role in the society. Opera is the treasure of Chinese culture. The key to the prosperity and development of opera lies in people. Only by making more efforts in talent training can we produce more masters and famous actors, and the flowers of opera can bloom and flourish. (Xinhua News Agency)