With the deep application of artificial intelligence models, their empowering role in the field of image creation is significant, leading to the emergence of multiple AI short films and sparking widespread attention and heated discussions from all sectors of society. Is the new technology represented by "AI" the starting point or the end point of science fiction film creation? In the long run, AI creation will surpass humans Recently, Gou Lijun, scientific consultant of Wandering Earth 2 and researcher of the National Astronomical Observatory of the Chinese Academy of Sciences, said at the China (Xiangshan) 30 ° North Latitude Science Fiction Film Week that science fiction film is not only an imagination of the future, but also a blend of scientific spirit and human emotion. Although AI has significant advantages in information and skills, it cannot experience the fresh experience of individual life, which is indispensable in artistic creation. From September 20th to 22nd, the China (Xiangshan) 30 ° N Science Fiction Film Week was held in Xiangshan County, Ningbo City, Zhejiang Province. The theme of this year's film week is "AI Symbiosis Era, Embracing Youth and the Sea", bringing together science fiction filmmakers, scientists, and artists to explore the innovative power of Chinese science fiction films, open up new horizons and dimensions of imagination. In China, although the history of science fiction films is not long, they are rising at an astonishing speed. Works like 'The Wandering Earth' showcase the potential of Chinese science fiction films and reflect the audience's desire for a future world. I am delighted to witness and participate in it, adding realism to my fantasies with scientific rigor Gou Lijun said so. In the current era of constantly innovating new technologies, how can we open up new horizons for science fiction film creation? Science fiction creation does not rely on writing classes or skill training, but rather stems from a passion and deep understanding of science Renowned contemporary Chinese science fiction writer Wang Jinkang shared his creative experience. In his view, only a profound love for science fiction can sustain long-term creativity. In addition to passion, Wang Jinkang frankly stated that persistence is also very important. Success needs to be gradually achieved through long-term accumulation, and only continuous investment can break through oneself. "For young science fiction creators, I hope they remember the principle of 'one small achievement in five years, one big achievement in ten years', and find their own creative path in continuous pursuit. As a key driving force for technological innovation, the artificial intelligence big model not only marks a new era of algorithmic imaging in the film and television industry, completely overturning the traditional path from film imaging to digital imaging, but also greatly improves the production efficiency and creativity of image content in an unprecedented way, opening up infinite possibilities for the future development of film and television art. How can new technologies represented by AI be better applied to science fiction film creation in the future? Hollywood special effects master John Hughes shared his two favorite science fiction films, "Space Odyssey" and "Walking Alone on the Moon," at the international science fiction film master class held at the Xiangshan Film and Television City digital studio. Among them, "Walking Alone on the Moon" left a deep impression on him due to its unique sense of humor and special effects production. John Hughes said, "In special effects production, try to use real-life footage as much as possible, and only shots that cannot be filmed will be completed through CG special effects." Science fiction writer Yin Guang believes that AI is disrupting the traditional art creation process, not only changing the content of creation, but also significantly reducing the learning threshold, allowing more people to participate in art creation. "However, compared with works created by humans, there is still a lack of a unique 'human' texture. Regarding this, Dai Bo, a young scientist at the Shanghai Artificial Intelligence Laboratory, believes that although AI has huge advantages in data processing and efficiency improvement, there are still bottlenecks in creativity and aesthetic judgment. "Future creation not only depends on the progress of AI technology, but also on how humans use AI and reflect on the application of technology in the process. Based on this, "AI+" is neither an endpoint nor a simple starting point in science fiction film creation, but a continuous evolution and deepening process. With the continuous advancement of technology and innovation in creative methods, science fiction movies will continue to explore the future, challenge imagination, and bring audiences more exciting and diverse visual feasts. (New Society)