In recent years, excellent traditional Chinese culture has become a source of vitality for film creation, nourishing the long-term development of Chinese cinema. On the basis of works such as "Chang'an 30000 Miles" and "Fengshen" from last year, this summer's films have once again burst with new charm of traditional Chinese culture. Today's (July 23rd) series report "The Hot Summer of Chinese Film" focuses on the traditional cultural feast of this year's summer season. The summer film "Umbrella Girl" interweaves Chinese intangible cultural heritage skills in light and shadow, creating a cultural feast that echoes reality, with graceful velvet flowers, exquisite embroidery, antique celadon, and exquisite ghost balls. Producer Liu Min introduced that the skills presented on the screen all come from the restoration of reality. Innovative animation brings traditional and ancient intangible cultural heritage techniques to life, and also brings culture closer to young people. Liu Min said that in order to achieve the furry texture of velvet flowers through 2D animation, the workload was enormous, but based on audience feedback, the final result was very ideal. From the beginning of the project, the creative team visited the Palace Museum cultural relic restoration team to experience the spirit of craftsmanship behind intangible cultural heritage techniques. Liu Min said that for national treasure masters, a painting may take a few days to complete, but repairing a painting takes three to four years. In the upcoming release of "A Dream of Red Mansions: A Golden and Precious Fate" on August 16th, the diverse charm of Chinese classic literature and traditional aesthetics is also presented. The saying goes, 'We are all destined for gold and jade, but I only care about the alliance between wood and stone.' The exquisite costumes and grand scenes in the trailer vividly recreate the atmosphere of the original work. Director Hu Mei introduced that the film has been screened in primary and secondary schools as well as universities before, and students' discussions on "Dream of the Red Chamber" involve history, literature, and values, with a deep and diverse understanding. I also hope that after the release of the film, more fans will return to the original work and become "red fans" who love the culture of the Red Chamber. In this summer season, there are also Chinese style animated films such as "Fallen to the mortal world" and "White Snake: Floating Life", as well as opera films such as "Qiao Guo Madam", which bring traditional culture to life in various forms. Movies are not only works of art, but also powerful carriers for cultural inheritance and promotion. This year, Chinese films in the summer season pay tribute to excellent traditional culture with various types of themes, inherit the millennium old Chinese cultural heritage through light and shadow, and also demonstrate the strong attraction of Chinese culture. (New Society)