The 'Central American Graduation Exhibition' ended in the high temperatures of this summer. The graduation exhibition, which lasted for a month and a half, attracted nearly 400000 visitors under traffic restrictions and reached 13000 on weekends, becoming a summer "art festival". The continuous push of traffic works on social media has launched a group of internet famous graduates; Interactive devices with high audience participation, such as "Kite Roaming", "English Song Dance", and "30 Days of Star Creation by Internet Celebrity Artists", have become "check-in points"; The experimental artwork "Super Hive" reflecting on the modern consumer society has become a hot topic due to controversy, which has also brought this graduate an extremely uneasy graduation experience. Art youths walk out of the school gate with their "shining moments" and face the social energy field of advanced technology and information. How will their youth be placed? We like to use the phrase 'a journey of a thousand miles begins with a single step' to encourage graduates to prepare for stepping out of school and entering society. Artist Xu Bing once commented on the graduates who participated in the exhibition as follows: "Each of them is a treasure, unique and one-of-a-kind. They must represent the future. Their ideas and works may not be mature yet, but from them, we can see something more precious than the stylized and symbolized works of 'masters' - something with future growth space and seed like properties." Since the "Central Academy of Fine Arts Graduation Exhibition", which became a hot topic on the internet this summer, we have seen the wild growth of youth, the free and unrestrained nature of artistic youth, and the various forms of artistic growth season. This year is the 10th "Graduation Season of the Central Academy of Fine Arts". With the rapid development of the Internet, graduates have a larger display and "marketing" platform, and at the same time, they should accept three-dimensional, panoramic inspection and interactive communication. The graduation work "Super Hive", once known as a "pile of garbage", was inspired by the cardboard boxes collected by her grandmother. Based on her own reflection on the real consumer society, she used these discarded household waste to build a "Tower of Heaven" with a compassionate mindset. The two square meter exhibition hall restricts the mechanical equipment, and the advantage of the exhibition hall floor height can achieve a "cardboard box tower", but the skylight exhibition hall did not present the "Tower of Babel" effect she wanted under dark lighting. She was caught off guard by the negative comments of "garbage" that came in a sudden attack. At the crowded production site, she recorded a tearful and humorous apology video like a robot, which later sparked a one-sided voice of "why apologize". In this so-called apology video, Qiao Mu "mechanically" confidently talks about his persistent pursuit of art. The work 'Super Hive'. The author of this article provides pictures. Faced with the emerging phenomenon of art fever, young artists take a positive, proactive, and brave attitude towards today's "big world of the internet". Entering the exhibition hall, the audience will find that each group of works is surrounded by "peripherals", with QR codes and media platform accounts set up. This is not only a marketing channel and traffic entrance opened by graduates, but also a path connecting their future lives. Here, they have taken the first step on their journey of a thousand miles. The development of the Internet has provided unprecedented convenience for art communication. Panoramic viewing and evaluation have also attracted a lot of voices. By opening their phones, people can easily browse various classic or modern art works pushed by various media platforms. With just a click, they can also express various evaluations and comments, from appreciation to judgment. When it comes to art works, opinions vary naturally and there is nothing wrong with them. But the perceptual appeal of on-site viewing of art works will be diluted by screen blocking, making it difficult to capture their deeper connotations and emotional expressions. Speaking of on-site exhibitions, there is now a trend of following the "Little Red Book" push to find clues and being enthusiastic about card style visits. Will participating in the entertainment of interactive installation art resonate with creators after editing and posting on social media? The art tropics have brought about the widespread dissemination of art, and the acceptance and evaluation of art have become arbitrary, scattered, and fragmented, leading to a dilution of artistic value. In the torrent of the internet, art works are sometimes sought after by groups, and sometimes randomly challenged. People's judgments are easily unconsciously influenced by the group, leading to meaningless debates. Psychologist Le Pen had already observed in his classic book on group psychology, "The Crowd," that "there is no doubt that groups are always unconscious, but perhaps the secret of their powerful power lies within these unconscious. Nowadays, everyone is a critic. You speak and I speak, people follow the crowd, and the hand that follows the trend, lightly pressed, echoes the crowd. Some hold the mentality of "no cost for bad words", but they do not know that the "press" button hurts people, perhaps unconsciously bringing about a "cyberstorm". Art fever should be the dividend of the all media era, and we came together because of our passion. So why not have an art dialogue? Especially for young indigenous people on the internet, let's take a look together and form an artistic "circle of friends", maintain the necessary objectivity and rationality, cultivate a good way of understanding and appreciating art, and work together to contribute to the present and future of art. (New Society)