The picture shows the inheritors of intangible cultural heritage performing Beijing shadow puppetry live in the China Intangible Cultural Heritage Museum. Not only can visitors enjoy exhibitions, but they can also experience interaction, face-to-face communication with inheritors of intangible cultural heritage, and participate in intangible cultural heritage research... Walking into the China Arts and Crafts Museum and the China Intangible Cultural Heritage Museum, the diverse exhibition forms allow visitors to fully experience the charm of intangible cultural heritage. Since its completion and opening to the outside world, the China Intangible Cultural Heritage Museum has focused on the active display of intangible cultural heritage projects, creating a down-to-earth, dynamic, and lifestyle oriented cultural space, allowing more people to know, understand, and fall in love with intangible cultural heritage. "Bright colors, advanced composition, and exquisite craftsmanship"... "Blossoming Dunhuang - Chang Shanna's Eighty Years of Art and Design Exhibition" is currently being held at the China Intangible Cultural Heritage Museum (hereinafter referred to as the "China Intangible Cultural Heritage Museum") of the China Arts and Crafts Museum. There are many visitors on site, and a silk scarf exhibition designed based on Dunhuang diatom well patterns has been praised by the audience. Drawing inspiration from the scale and proportion of the Taihe Hall in the Forbidden City, the fa ç ade is designed in three sections, and the exterior design is extracted from traditional architectural patterns such as flower windows and antique frames... On the northern extension of the Beijing central axis, the Chinese Intangible Cultural Heritage Museum located at No. 16 Hujing East Road has a solemn and elegant design, which is unique. Entering it, the diverse and distinctive intangible cultural heritage exhibits are overwhelming, and the rich and colorful activities are welcomed by the audience. Intangible cultural heritage not only allows for viewing and listening, but also allows for interactive experiences. At 10 o'clock in the morning, citizen Song Wenjia visited the China Intangible Cultural Heritage Museum and said, "I heard there is a very different exhibition of Shaanbei folk songs. Come and take a look today." Under the guidance of the guide, Song Wenjia gained a general understanding of the history and characteristics of Shaanbei folk songs. Afterwards, in the meticulously arranged exhibition hall, she entered the "cliffs and valleys" of the Shaanbei Plateau. Between the exhibition booths shaped like loess, cliffs, and gullies, Shaanxi folk songs are sung while walking. Immersed in it, but still unable to regain consciousness, the gong and drum rang, the fan opened, and the Shaanbei Yangko began to dance again. "Here, intangible cultural heritage can not only be seen and heard, but also experience interaction. No wonder exhibitions are so popular." Song Wenjia said. Not only Shaanbei folk songs, but also in exhibitions such as Kunqu, Guqin, and shadow puppetry, the China Intangible Cultural Heritage Museum integrates explanations, displays, and interactive experiences, allowing audiences to understand, appreciate, and fall in love with intangible cultural heritage. The unique music and singing style, elegant design, and delicate and vivid display... At the scene of the Beijing Shadow Puppetry Social Education Activity, a representative inheritor of the national intangible cultural heritage Beijing Shadow Puppetry, the audience was mesmerized by the performance, which attracted waves of applause. Not only are there physical exhibitions, literature materials, multimedia animations, and installation art, but also hands-on experiences of the "leakage and brushing" process in traditional printing and dyeing techniques. Walking into the "blue emerging from blue" blue printed fabric theme exhibition, the rich and diverse exhibition methods allow the audience to have a "zero distance" with traditional Chinese dyeing and weaving. Wang Chenyang, Secretary of the Party Committee of the China Intangible Cultural Heritage Museum, believes that the "living" of intangible cultural heritage is closely related to everyone's clothing, food, housing, and transportation in the present. "The display of intangible cultural heritage projects is to present intangible and long-term cultural traditions, cognitive methods, etc. in an understandable and perceptible way." "Unlike museums, intangible cultural heritage museums not only need to display the history and development process of intangible cultural heritage, but also the survival status of intangible cultural heritage. Exhibitions should fully reflect the concept of" people-oriented ", pay attention to dynamic presentation in content and form, and reflect the importance of inheritors of intangible cultural heritage," Wang Chenyang said. Building a platform to enhance the visibility and influence of intangible cultural heritage. The 2024 Cultural and Natural Heritage Day is approaching, and the "China Intangible Cultural Heritage Protection Practice Theme Exhibition" held by the China Intangible Cultural Heritage Museum will also meet with the audience on June 7th. The exhibition covers ten major categories, with a total of over 100 intangible cultural heritage projects and over 600 pieces/set of exhibits. Through the display form of "text+pictures+physical reality+multimedia interaction", it presents the era style of intangible cultural heritage. During the exhibition, there will be 100 national level inheritors of intangible cultural heritage leading their apprentices to perform on-site. Viewers can participate in interactive experiences and experience the beauty of intangible cultural heritage. Speaking of the original intention of the construction of China Intangible Cultural Heritage Museum, Wang Chenyang said, "There are many categories, projects, and regions of intangible cultural heritage projects. Establishing a normalized exhibition space and platform will be conducive to enhancing the visibility and influence of intangible cultural heritage." China Intangible Cultural Heritage Museum opens its doors to national, provincial, municipal, and county-level intangible cultural heritage projects, building a platform for inheritance, display, and dissemination. The 14th Five Year Plan for the Protection of Intangible Cultural Heritage proposes the construction of 20 national level intangible cultural heritage museums. In August 2021, the "Opinions on Further Strengthening the Protection of Intangible Cultural Heritage" clearly stated that, based on the existing foundation, we will coordinate the construction and utilization of national intangible cultural heritage museums, encourage the construction of intangible cultural heritage museums in places with conditions, and promote the reconstruction and construction of national level representative projects of intangible cultural heritage inheritance experience centers. In this context, the China Intangible Cultural Heritage Museum was completed and opened to the public on February 5, 2022. At present, the Chinese Intangible Cultural Heritage Museum is studying the construction and service standards of intangible cultural heritage museums, and strengthening cooperation with other intangible cultural heritage museums. Wang Chenyang said, "We need to gather the wisdom of intangible cultural heritage people, so that intangible cultural heritage can interact more closely with people, promote the integration of intangible cultural heritage projects into contemporary life, and stimulate the vitality of intangible cultural heritage protection and inheritance." Li Shaoli, who is traveling from Shanghai to Beijing, specially visited the China Intangible Cultural Heritage Museum in her spare time to create a grounded, dynamic, and life oriented cultural space. "The wide variety of intangible cultural heritage works has opened my eyes and amazed me." In the intangible cultural heritage museum, Li Shaoli felt that time passed quickly. "If there is a chance, I will also bring my children to see." In order to let more young people understand and interact with intangible cultural heritage, the China Intangible Cultural Heritage Museum has launched a series of "Chinese Craftsmanship" aesthetic education social education activities for young people, allowing them to experience the beauty of craftsmanship. As of now, the "Chinese Skilled Hands" art education series social education activities have been held for 20 sessions, with over 400000 online and offline audiences. The research and learning activities of the Intangible Cultural Heritage Museum are very popular. In order to provide audiences with a more comprehensive and comprehensive understanding of intangible cultural heritage, the China Intangible Cultural Heritage Museum has collaborated with inheritors to develop a "teaching package". "What is the lineage of inheritance, what are the representative inheritors in history, and what are the characteristics of the project... At the China Intangible Cultural Heritage Museum, inheritors will teach hand in hand and face to face, spreading authentic knowledge of intangible cultural heritage to the vast participants." Wang Chenyang said. "I hope to cooperate with national intangible cultural heritage museums in the future, so that the 'teaching package' and research courses of inheritors can form a system, and exchange ideas in major intangible cultural heritage museums, so that audiences from all over can benefit." Wang Chenyang said. Wang Chenyang stated that the China Intangible Cultural Heritage Museum strives to create a down-to-earth, vibrant, and lifestyle oriented cultural space, so that visitors entering the museum can fully experience, participate, exchange, and appreciate the charm of intangible cultural heritage. (Lai Xin She)