"China has great etiquette, so it is called Xia; the beauty of clothing is called Hua." From the "the Year of the Loong Battle Robe" to "the first skirt in spring", the horse dress is popular "out of the loop". The shortage of horse faced skirts has once again attracted attention from Cao County, Shandong Province, a major center for processing performance costumes in China. Whether it is walking onto the runway, entering the theater for display and performance, or appearing in parks and temple fairs, appearing in ordinary people's commuting, shopping, and visiting relatives and friends, "new Chinese style" clothing is increasingly appearing in people's daily scenes. Traditional clothing that has been floating in the dust of history for thousands of years has now transformed into "new Chinese style" clothing, once again active in the lives of young people. Behind the recognition and love of Chinese aesthetics among young people is a stronger cultural confidence. The return of Chinese aesthetics not only enriches the daily wear of the masses and expresses their personal values more creatively, but also looks more exquisite, antique, and elegant than the uniform clothing of the masses. Wearing it, it feels as if one is rushing to a grand feast of Chinese culture, engaging in dialogue with the ancients and exchanging historical knowledge. The excellent traditional Chinese culture is also surging with strong vitality and influence in this "ancient and modern agreement". From the perspective of artistic reproduction and innovative design, dressing is a fundamental need in daily life, which should not only meet the needs of comfort, but also conform to the behavior or usage scenarios of people today. It can be seen that most "new Chinese style" clothing is not completely retro in shape, and its design is more in line with modern life, echoing fashion trends. "New Chinese style" not only focuses on the "skin appearance" of design, such as pursuing the fabric craftsmanship of real silk and fragrant cloud gauze, as well as standard designs such as standing collars and buttons, but also emphasizes the "bone appearance" of presenting elements, such as integrating traditional Eastern clothing elements such as belly pockets, qipaos, and Chinese knots into modern fashion, achieving a deep connection between tradition and modernity, and fully showcasing Eastern charm. The popularity of "New Chinese style" clothing may seem accidental but it is inevitable. Traditional clothing is a cultural identity that is "worn". Each country has its own unique cultural symbols and symbols, and clothing itself is an important carrier of culture. Traditional Chinese clothing not only showcases people's aesthetic taste, color preferences, and form preferences, but also permeates the cultural mentality, values, spiritual beliefs, and customs of a specific historical period in a society. Wearing traditional clothing, to some extent, means putting traditional culture, etiquette, and craftsmanship into one's heart, conveying people's deeply rooted national emotions and cultural identity. "New Chinese style" clothing has become a fashion trend that has been worn for thousands of years, becoming an effective carrier for modern people to inherit traditional culture. The love of the younger generation of consumers for the "New Chinese Style" reflects their unique aesthetic pursuit: having connotation but not being heavy, having beauty but not being ostentatious, and more importantly, reflecting their broad and rich spiritual realm and firm cultural confidence, consciously becoming inheritors and promoters of excellent traditional Chinese culture. "New Chinese style" has become the preferred choice for fashion enthusiasts, with sales continuously increasing. It is also the result of the increasingly mature and perfect business environment, business models, e-commerce formats, and industrial chains. Taking Song brocade as an example, it has a history of thousands of years, but the traditional weaving of Song brocade is like a systematic engineering process, which involves the process of silk reeling, dyeing, and weaving into products