New Chinese style is not only innovation but also inheritance

2024-04-02

Walking on the streets and alleys, one can see figures wearing Hanfu everywhere. The phenomenon of integrating traditional clothing into daily life is an important expression of the new Chinese style trend. The rise of new Chinese aesthetics is the crystallization of cultural inheritance and innovation, while also providing new opportunities for the development of popular culture in China and the dissemination of international culture. New Chinese style is not only an innovative fusion of popular culture and traditional culture, but also a deep unity of consumer pursuit of mainstream aesthetics and diverse self-expression needs. The new Chinese style trend reflects the aesthetic trend and cultural attitude of the vast majority of the Chinese people. In the fields of clothing and home furnishings, the new Chinese style breaks the spatial and temporal barriers of traditional craftsmanship, introducing artworks that remain in books and display cabinets into accessible living spaces for the public, and spreading traditional Chinese aesthetic taste in a more approachable way. Due to specific historical factors, social changes, and increasingly frequent international trade and cultural exchanges, Western clothing brands and design concepts have spread globally, and their cutting and fashion elements have been widely sought after, leading to a similar trend in daily clothing for people from all countries. However, traditional clothing in our country did not decline or even disappear in this environment, but instead rose unstoppably. This is a revival of classical aesthetics driven by cultural consciousness and cultural confidence. At present, China's society is in a stage of transformation from a production-oriented society to a consumption oriented society. People are constantly seeking "fast" and "new" consumption in the process of increasing demand and updating desires, while also re examining their spiritual and cultural needs in the trend of homogenized goods. The new Chinese style is an innovative expression of China's excellent traditional culture that conforms to the needs of cultural consumption in reality. Hanfu is the vanguard of the new Chinese trend, carrying national memories and cultural values that inject new vitality into the economy and society, providing people with a simple and elegant comfort in their busy lives. The new Chinese style has formed rich cultural symbols by recombining fashion and ethnic elements, giving traditional culture a brand new spiritual outlook. The expression of new Chinese clothing, led by Hanfu, mainly relies on visual means, using ethnic patterns, Chinese color schemes, traditional fabrics, and other forms to convey excellent traditional Chinese art through representative shapes and techniques. In the future, the public is more eager to see the deep excavation of traditional cultural values, presenting the traditional humanistic and philosophical views flowing in our bloodline in the form of symbols in the new Chinese style, incorporating poetry, calligraphy and painting full of Chinese aesthetic connotations, and Confucianism and Taoism representing ancient wisdom into the innovative development of traditional clothing such as Hanfu, and strengthening the protection and development of traditional intangible cultural heritage skills. In terms of cultural dissemination, new Chinese elements have become a good medium of communication. Taking Hanfu as an example, the design of a horse faced skirt combined with a retro jacquard elastic waistband incorporates modern design and cutting, making wearing cumbersome dresses more suitable for people's pursuit of simplicity and efficiency, and thus more conducive to cultural understanding and recognition worldwide. There is great potential to shape a popular cultural and artistic system for external dissemination using the new Chinese style. Cultural confidence is not blind isolation and arrogance, but rather an objective and rational examination of foreign cultures based on the construction of Chinese discourse and narrative system, actively and openly absorbing excellent achievements,

Edit:GuoGuo    Responsible editor:FangZhiYou

Source:gmw.cn

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