On February 1st, the "Gathering of Beauty - National Art Museum Collection Exhibition" opened at the China Art Museum. Fifteen art museums have showcased their treasures and exquisite works, including over 500 collections of Chinese painting, oil painting, printmaking, watercolor painting, lacquer painting, sculpture, folk art, comprehensive art, calligraphy, and more, to feast the eyes of the audience. At the exhibition site of "Beauty in Gathering", Guangming Daily reporter Yu Yuanyuan took photos of the classic revitalization art and used it to the fullest in front of the glass display cabinet of Guan Shanyue's "Mountain Village Leap Forward". In order to make their children see more clearly, a parent slowly walked in front of this 15 meter long painting, holding their child and telling them about the mountain scenery and character emotions depicted in the painting. "It's rare to see such a masterpiece, let children take a good look, broaden their horizons, and cultivate their character," said the parent. Guan Shanyue is one of the representative painters of the 20th century. He insists on delving into life to create sketches, adhering to the artistic concept of "balancing the East and the West, integrating ancient and modern", and pursuing the sense of the times and the atmosphere of life in his paintings. The "Leap Forward of Mountain Villages" was created in 1958 and unfolded in chronological order of the four seasons. It depicts scenes of people digging mountains, opening canals, constructing water conservancy projects, and enjoying a bountiful harvest, with rich details; The "Jiangxia Atlas" is 14.1 meters long and was created in 1980. It condenses the scenery of the Yangtze River, stretching over 6000 kilometers. With high gorges and deep valleys, boats shuttle back and forth, and the terraced fields on the shore turn green. Birds spread their wings and fly high, creating a magnificent and magnificent landscape of the river and mountains with a flat and wide shore. "Classics are valued for revitalization, only through revitalization can art be fully utilized; beauty is valued for gathering, only by gathering, can each show its beauty." Wu Weishan, the director of the China National Art Museum, said, "These masterpieces carry the emotional warmth of artists and enter the palace where the people appreciate art masterpieces. Together, they tell the story of China and the story of spring - the story of 'beauty'. The diverse styles of Shanghai style painting showcase their beauty, Since the 20th century, it has been a unique force in the Chinese painting industry. Ren Xiong, Ren Bonian, Wu Changshuo, Zhao Zhiqian, and others have absorbed the traditional literati painting style and boldly innovated, presenting a new appearance of East West integration and mutual appreciation of refined and popular art. A Chinese painting "Lujiazui Financial City", measuring 3.12 meters high and 1.7 meters wide, takes the audience into a "Shanghai style" art world. The painter Ni Wei carefully depicts the rows of high-rise buildings in the city. The 632 meter high Shanghai center Tower, China's tallest building, soars into the sky, full of modern flavor. Yu Youhan's oil painting "Round Series 91-5" is colorful and interwoven into a brilliant scene like fireworks; Wang Yi's installation art piece "Elementary Structure" is constructed by combining red, green, and blue cylinders, circles, and cubes, full of a playful atmosphere... The openness, diversity, and inclusiveness of Shanghai style art are fully reflected in these works brought by the China Art Museum (Shanghai Art Museum). At the foot of Mount Luofu, there are four seasons of spring, and Lu oranges and Yang plums are in their prime. In the exhibition hall of the Guangdong Art Museum, there is a magnificent southern scenery with lush branches, leaves, and flowers. The plump and tender lychees, the vast and lush banana trees, and the swaying coconut groves in the sea breeze... The cold of winter in the north seems to have melted away in these vibrant ink strokes. The Zhejiang Art Museum brought Fang Zengxian's "The Old Man Holding a Pipe"