In the new era, traditional Chinese opera still shoulders the heavy responsibility of serving the people and society. It needs to continuously unleash the vitality and affinity of art, continuously prosper and develop, and better shoulder the mission of cultural inheritance and development. On the basis of adhering to the essence of traditional Chinese opera, absorbing and borrowing modern elements, pursuing the organic combination of ancient Chinese opera and contemporary art, the high unity of Eastern charm and modern spirit, the harmonious compatibility of local culture and urban aesthetics, and exploring innovative paths for the development of traditional Chinese opera in the collision and fusion of tradition and modernity. The picture shows the stills of 'Peony Pavilion'. Chinese opera has a long and profound history, with distinct ethnic characteristics, unique charm, and a deep audience foundation. It is one of the important carriers for inheriting and developing excellent traditional Chinese culture, and is a rich and precious spiritual and cultural heritage of the Chinese nation. It is of great significance in continuing the Chinese cultural heritage. Traditional Chinese opera fully demonstrates the outstanding characteristics of Chinese civilization. Traditional Chinese opera is a carrier of national history and national memory, reflecting the outstanding continuity of Chinese civilization. Chinese opera, along with Greek tragedies and comedies, and Indian Sanskrit opera, is known as the three ancient theatrical cultures in the world. It is still full of vitality and has become an artistic style with Eastern characteristics and Chinese charm in the world's cultural and artistic treasure trove. Traditional Chinese opera has a wide range of themes and rich content, including historical narratives of the country and the world, the ethics of loyalty, filial piety, and righteousness, as well as myths and legends, stories of love between children and daughters, which are either passed down orally or recorded in writing. In various historical periods of the Chinese nation, many stories have been brought to the stage of traditional Chinese opera, such as the "Three Thousand Tang and Eight Hundred Song Dynasties, Countless Three Kingdoms". The four ancient masterpieces of our country, "Romance of the Three Kingdoms," "Water Margin," "Journey to the West," and "Dream of the Red Chamber," all have corresponding series of traditional Chinese operas presented as precious literature materials, providing script resources for many theater troupes and playwrights to create, adapt, transplant, and rehearse. Opera is the essence of national art, which embodies the outstanding innovation of Chinese civilization. Chinese traditional opera widely absorbs the essence of other arts, and is a highly comprehensive art integrating literature, music, dance, art, martial arts, acrobatics, etc. Traditional Chinese opera is famous for its unique character types and performance style. The portrayal of character images through joy, sorrow, shaking of sleeves, frowns, smiles, and glances has always been an aesthetic element that has been passed down and deeply ingrained in traditional Chinese opera art to this day. Traditional Chinese opera has created colorful character images of various styles of Chinese art corridors, depicting various aspects of life, purity, and ugliness. Like Huang Zhong in "Dingjun Mountain", he is powerful and powerful; Liang Shanbo in "Liang Shanbo and Zhu Yingtai" is elegant and elegant; Sun Yujiao from "Picking up Jade Bracelets" is pure and innocent; Mu Guiying in "Mu Guiying Takes the Chair" is handsome and handsome; Dou Erdun, bold chivalry, and so on from "The Comic Set". The Little Red Lady in Wang Shifu's "Romance of the Western Chamber" becomes the embodiment of chivalry and wisdom, blending into the public's longing for a better life, reflecting the pursuit of kindness, passion, and bravery. Opera artist Mei Lanfang has broken through the "four