How to continue the traditional Chinese poetry and achieve a fusion of Chinese and Western elements in poetry creation? How to view the disruptive impact of the internet on poetry creation? How to shape the aesthetics of poetry in the new era? On September 9th, the "Phenomena and Trends - Contemporary Chinese Poetry Development Seminar" organized by the Chinese Poetry Society and the Art Education Center of Tsinghua University was held in Beijing. Regarding the future trend of Chinese poetry, Jidimaga, former vice chairman of the Chinese Writers Association and director of the Poetry Committee of the Chinese Writers Association, believes that ultimately, poetry related to this era should be written through the practice of poets and writers. He proposed the test that every poet faces: can they witness the times? Can it reflect the spirit and essence of the times? Jidimaga pointed out that in the face of the changes in poetry creators and creative methods brought about by the openness of the internet, it is necessary to respect different groups of poets and the writing methods of different creators. "In the development process of contemporary Chinese poetry, we should return to the tradition and language of poetry and write our poetry under new conditions. Poetry is the echo of the times and the memory of the spirit. Contemporary Chinese poetry to this day is itself a diverse process. Wang Shan, Executive Vice President and Secretary General of the Chinese Poetry Society, agreed with Wu Sijing, Deputy Director of the Chinese Poetry Research Center at Capital Normal University. For the development of contemporary Chinese poetry, Wu Sijing proposed the path of "collision fusion transcendence", which connects the excellent traditions of ancient Chinese poetry and achieves the integration of Chinese classical tradition and Western excellent culture through the collision of Western culture. "Ultimately, to achieve transcendence, it is not only a transcendence of ancient Chinese poetry, but also a transcendence of various Western schools. "Whether it is Chinese or Western, ancient or modern, or liberal arts, it is better to be well connected." In the opinion of Wang Yuming, an academician of the CAE Member and honorary director of the poetry teaching base of Tsinghua University's Art Education Center, it is best to be able to "amphibious", and he particularly emphasizes "integration and inclusiveness". Faced with the rapid development of the internet and social media, which has brought about a massive increase in the number of poets and poetry works, how to conduct effective discussions and evaluations has become a hot topic for experts and scholars attending the meeting. Is the lyrics of popular songs poetry? "Asked Sun Mingjun, a professor at the School of Humanities at Tsinghua University and deputy director of the Poetry Education Base at Tsinghua University's Art Education Center. He believes that many lyrics are the same as poetry and have a significant impact, but the academic community pays little attention to them. In the context of the developed internet, what kind of poetry are we discussing when discussing poetry? "Faced with the current situation of poetry writing, poet Xichuan proposed the need for classification, as vague discussions are ineffective. Contemporary poetry writing is no longer just about writing on paper, but more and more on live streams, short videos, and other venues. "Poet Ouyang Jianghe pointed out that the changes in the writing scene involve not only how to write and where to write, but also how to read and where to read. Poetry comes from life. There are poems on campus and in the scenery of rural areas, but there is certainly not much poetry just sitting in the office. "Poet Yu Xueze from Shaoxing, combining his new work" Water Quality Time, "discusses his personal experience of poetry creation for decades. The melody of poetry is the melody of life. "In" Water Quality Time, "there is a dialogue between him and his hometown, life experiences, and feelings for family and comrades in arms