Recently, there has been a wave of traditional culture craze on both large and small screens. The movie "Three Thousand Miles in Chang'an" uses exquisite animation to present the three-dimensional and plump images of Tang poets and the rich and distant artistic conception of Tang poetry works, turning the cinema into a cultural classroom for poetry. The movie "Fengshen Part 1: Chaoge Fengyun" uses stunning visual effects to stimulate audiences' longing for the mythological world. Many people, after watching the film, are interested in combining the plot of the original work to verify the film. In addition, the dramas Houlang, A Dream of Splendor, cultural programs Zhongzhou Road, Classic Chanting: True Youth, and the collection of animated short films China's Strange Tales are all fruitful achievements in the creation of traditional cultural themes in the layout of the film and television industry in recent years. These works explore novel narrative perspectives in rich cultural knowledge, integrating sincere national emotions into innovative audio-visual language, endowing traditional culture with fresh vitality and strong communication power. These popular works have one thing in common, which is their ability to extract content that meets the needs of the current era from the excellent traditional Chinese culture, in order to stimulate emotional resonance and spiritual resonance among the audience. Gao Shi in "Three Thousand Miles in Chang'an" has gone through setbacks and hardships, never forgetting his pursuit of ideals and adherence to justice, and finding his own value with courage and wisdom. Similar life stages and specific life troubles echo the life topics of modern audiences, making people exclaim that "great poets have the same confusion as me". The story of "The Summer of the Little Monster" in "The Chinese Strange Tales" is set against the backdrop of "Journey to the West", using the perspective of a little wild boar to showcase the current living conditions of migrant workers, conveying the concept of "we were born ordinary, but we live wonderful". These works reflect on the past and reflect on the present, bridging the link between traditional culture and modern life. By showcasing the profound reflection and exploration of life by the Chinese people, they have sorted out a development thread of Chinese culture. The recent emergence of film and television works not only finds a combination of traditional culture and practical needs in content, but also strives to innovate in form, using refreshing artistic expressions that are close to the aesthetic preferences of current audiences. From simple expert storytelling, contestant competitions, plot interpretation, to comprehensive use of field investigations, situational representation, immersive experiences, and cross media adaptations, many works use new narratives to turn professional knowledge into easy to understand stories, respectable and approachable characters, and beautiful scenes, greatly enhancing the young audience's sense of identification with traditional culture. For example, "On the Zhongzhou Road" allows the audience to take the "Central Axis Train" with the "Central Axis Travel Group" to any time and place on the Zhongzhou Road for more than 700 years, to personally visit the historical scene, explore the legend, witness the highlights, and tell all kinds of knowledge about Zhongzhou Road from astronomy to geography. The "Chinese Festivals" series of programs breaks through the inherent form of traditional festival evenings, organically combining narrative through dramas and showcasing artistic performances, and exploring the Chinese wisdom contained in traditional festivals. In particular, the latest edition of "The Wonderful Tour of the Dragon Boat Festival 2023" innovatively uses workplace scenes to connect stories, and launches a time-space journey from the perspective of the new screenwriter Xiaowu, leading the audience to experience the wonderful customs of Dragon Boat Festival in different regions and experience the colorful Japanese language