Beijing, July 30 (Xinhua) (Reporter Gao Kai) The "Colorful Creation - Ke Jin's Traditional Chinese Painting Exhibition" recently opened at the Renmei Art Museum of China National Art Publishing Corporation. This exhibition showcases more than 50 works by artist Ko Jin in recent years, divided into two categories: meticulous flowers and birds and splashed landscape. Among them, the exquisite brushwork of flowers and birds is based on the courtyard body, with a meticulous and orderly design, ancient and gorgeous colors, and elegant and subtle artistic charm. The "Paving Palace Flowers" created not only embodies the elegant and exquisite craftsmanship of the Song Dynasty, but also the realistic craftsmanship of the Qing Dynasty's inner court. The overall color scheme is elegant and enthusiastic, forming a strong collision with the stained stone green, with a strong decorative significance. At the same time, the composition is full, forming a colorful and luxurious temperament. The non dyed flower and bird works have vivid shapes, subtle depictions, and precise physics. They also depict the physical states of flowers and birds in the wind, clear, snow, and dew, showcasing the charm of "wind and rain" and creating a natural atmosphere. Splashing colorful mountains and waters creates a colorful and vast atmosphere, vast and thick, and naturally formed. It is reported that Ke Jin copied a large number of landscape masterpieces of the Song Dynasty when he was young, so that he could have a deep understanding of Chang Dai-chien's painting techniques and master the characteristics of various painting materials. Its splashing color is believed to be born out of water, live out of water, vigorous and beautiful, fresh and natural. This exhibition highlights humanities, academia, and poetry, and the organizers also conducted a deep academic tour of the ancient "Paving Palace Flowers". Curator Huang Pingchang leads the audience across thousands of years to trace the origin, development, and current situation of this ancient painting genre. At the same time, in order to combine painting works with poetry, curators Huang Pingchang, poet Wei Sanmu, calligrapher Zhang Quanquan, and scholar Gu Qing have composed more than 20 poems for the exhibition works. These poems can guide the audience to appreciate painting works from different dimensions, cleverly integrating poetry and painting, allowing people to see both their paintings and the mysterious scenery outside the paintings. (End) (Lai Xin She)