Following the successful launch of the first immersive Comic opera "Rita" from June 30 to July 2 last year, Guangzhou Opera House and Xinghai Conservatory of Music jointly produced the second new work - the immersive one-act Comic opera "Pomme d'Api". From June 30 to July 2 this year, the play successfully premiered in the Experimental theatre of Guangzhou Opera House. Christophe Bagonneau, the cultural consul of the French Consulate General in Guangzhou, Peter Gordon, the director, Marco Iannelli, the Music director and others attended the live performance and immersed themselves in the "French Opera Bar" filled with romantic feelings with the audience. Humorous stories and pleasant melodies, through 150 years of time, have been revitalized in the new production of Guangzhou Opera House, which has frequently triggered applause from the audience. It is reported that this is the only opera work of the 17th "Spring of Sino French Culture" and also the 150 year old French opera work; Pomme d'Apigt; The first ticket sales performance in mainland China, and was highly recommended by famous singers Shi Yijie, Wu Bixia, and Wang Lida. Adapted from "drama in play", the "rebirth" of the small theater of the traditional Comic opera "Pomme d'Api" is adapted from the French composer Jacques? A Comic opera created by Offenbach in his late period lt; Pomme d'Apigt;, The original work premiered at the Renaissance Theatre in Paris in 1873. The adapted 'Pomme d'Api' cleverly combines an open immersive stage with a 'play in play' plot, telling the story of the opening night of the Paris' Rhyme Opera House '. The opera bar owner Vertigo suddenly changes the premiere to Orfenbach's lt; Pomme d'Apigt;, There was a romantic exchange between two men and one woman in and out of the play. In the modern "black box" Experimental theatre, the traditional opera 150 years ago has been given more space for imagination and expression. The three actors calmly transition between the six roles, and the role transitions are also integrated into the scene. The conductor, band, piano accompaniment, and even the audience all play their "themselves" in the play. The director of the drama, Peter Gordon, is a Hong Kong based opera director who has been committed to creating a completely new concept of opera, attempting to integrate local culture into the opera and express it in the current way, He said, "The original work of Offenbach gave me inspiration for 'in the play'. We redesigned the dialogue, stage, and even created new stories. In order to connect 'in the play' and 'out of the play', we also selected some singing passages from the same period of Offenbach's works to join them. The plot setting of 'drama in the play' is gripping, and in the arrangement, different musical styles and expressive colors are used to make the level of the play clearer. In the play, the orchestra rehearses for the opening ceremony of the "Xuan Yun Opera House"; Outside the theater, three opera performers exchanged their thoughts with piano accompaniment in the audience hall. The immersive production of Guangzhou Opera House Experimental theatre completely eliminated the actors