Recently, the Golden Gate Puppetry Troupe came to Nan'an, Fujian Province to hold a campus tour and exchange and study with local puppet performers. The head of the drama troupe, Cai Yuanjin, said that during the recent campus tour, he saw the children's heartfelt smiles. I am very pleased that this is also a form of inheritance. "Cai Yuanjin exchanged ideas with puppet artists in Nan'an, Fujian, as" friends ". Huang Jianping was captured in Cai Yuanjin's eyes, and puppet shows on both sides of the Taiwan Strait originated from a lineage, which is a cultural card belonging to both sides of the Taiwan Strait. Quanzhou is a city that I am familiar with. In 2008, in order to learn puppetry skills, I came to Quanzhou specifically to learn from marionet artist Mr. Lin Wenrong through performances, and finally returned to Kinmen to establish my own theater troupe. Inheritance is a common problem faced by puppeteers from both sides of the Taiwan Strait, and they have also set their sights on the campus. Teenagers are the hope of the future, and we hope that through our performances, children can have a basic concept: there is a traditional art called puppetry in their hometown. This is the foundation of inheritance. "Cai Yuanjin said that since 2015, he has been visiting cities such as Quanzhou, Beijing, and Tianjin, and through on-site campus activities, he has enhanced the understanding of traditional art among the younger generation and promoted traditional Chinese culture. Huang Zhiming, on the other hand, comes from a "puppet family" that has been inheriting puppetry performances for nearly a century. As a teacher, he has a profound understanding of the importance of campus education in inheriting traditional art. With the encouragement of the local government, his Nan'an Xikou Legacy Puppet Troupe gradually entered the local campus to perform. When encountering young people who are interested, as long as we are willing to learn, we will give them everything we can without reservation. "In Cai Yuanjin's puppet performance, Huang Zhiming found some innovative inspiration. "Compared with the performance of head Cai, our performance is more traditional and complete. But he shortened the drama process in the campus tour, added acousto-optic technology, combined puppets with popular elements, and introduced the structure and history of puppets, which is worth our thinking and learning." The puppeteers of the Golden Gate Puppetry Troupe led the children to experience puppets in the Nan'an Cultural Center. Huang Jianping took the photo of "Let the puppet dance popular music such as" Singing the Spring Onion "and" Little Apple ", which is my advice to head Cai." Chen Yingjun, the leader of the Golden Gate Puppetry troupe and the head of Taiwan's art image culture, said that Puppetry comes from Quanzhou, and it is the mission and feedback of the troupe to return to Quanzhou for performance and inheritance. Chen Yingjun is a manager of the Creative industries. He has led Taiwan's traditional troupes to perform in the mainland many times and put forward suggestions for the improvement of traditional troupes. According to his observation, most traditional theater troupes in Taiwan have rich campus performance experience, which can effectively grasp the interests of children. Jinmen Puppetry Troupe went to Nan'an, Fujian Province to exchange and learn with local puppet performers. In recent years, I have also seen many inheritors of intangible cultural heritage from mainland China enter the campus for inheritance, which is a good trend. This tour to mainland China aims to learn and learn from the puppet troupes here, and jointly promote the innovative development of puppet art across the Taiwan Strait, "said Chen Yingjun. Cai Yuanjin stated that the exchange and mutual learning between traditional artists are enjoyable and meaningful. Over the years,