The core reading of local customs and traditions has laid a profound and meaningful cultural foundation for TV dramas to tell Chinese stories, and also allows people to experience the vivid and colorful charm of mountains and rivers. Appreciating the spatial narrative of the magnificent picture scrolls of China's TV dramas cannot be achieved solely by relying on surface features such as dialects, landscapes, and clothing. To truly reflect the cultural characteristics of different regions, one must base oneself on historical orientation and era context, Deeply showcasing the rich regional elements of social style and humanistic spirit into TV dramas not only enriches the visual presentation of TV dramas, but also adds thickness to the realistic texture of TV dramas, improving the cultural literacy and cognitive level of the audience. On the land of China, there are incomparably rich cultural deposits waiting for literary and artistic creators to deeply explore. The Qin Opera in the TV play "Set the Stage" and the Suzhou Pingtan in "All is Good" show the rich and diverse Chinese opera, folk art and music culture; The Beijing Hutong in "Love Full Siheyuan" and the alum tower in Tokyo during the Northern Song Dynasty in "Dream of China" reflect the unique aesthetic of Chinese architecture... The concentrated display of distinctive cultural elements in literary works allows more people to experience the charm of Chinese culture. The long history, culture, and diverse natural environment have nurtured a colorful cultural landscape and customs. Each region has unique cultural charm, which together constitute China's rich cultural landscape. TV dramas have unique advantages in showcasing regional culture, and many works use this as a starting point to showcase the cultural charm of different regions through vivid storylines and character images; Tell diverse stories and reflect a colorful life through distinctive cultural backgrounds. Regional culture has added a touch of brilliance to Chinese TV dramas and opened up new spaces for the Chinese style and style of literary and artistic creation. The multiple meanings and unique charm of showcasing the beauty of China's mountains and rivers, as well as the local customs and traditions, endow TV dramas with cultural value and aesthetic significance. They not only vividly reflect society and culture, but also inherit history and humanistic spirit. The TV drama "Going to a Windy Place" aired earlier this year was filmed in Dali, Yunnan, telling the story of a group of urban young people coming to Yunnan's "Windy Courtyard" to rest. The presentation of Yunnan's local customs and traditions in the drama is eye-catching, such as specialty snacks, niche attractions and clothing, architecture, embroidery, tie dyeing, wood carving and other intangible cultural heritage projects. The natural landscape and folk culture of Yunnan have unique humanistic sentiments and artistic charm. They not only bring the beauty of artistic conception to this slow rhythm TV play, but also show the simple folk customs and profound cultural heritage invisibly, allowing the audience to taste the taste of life and feel the meaning of life in the idyllic landscape and relaxed atmosphere. The previously popular reality TV drama "Happiness to Wanjia" tells the story of He Xingfu, a rural girl in Anhui, who grew up and transformed. The story takes place in Wanjiazhuang, Yanpu Village, Mount Huangshan, Anhui Province. Pink walls, Dai tiles, Ma Tou walls, small bridges, flowing water, old streets and alleys, the entire village is surrounded by mountains and rivers, with fields, gardens, ponds, and houses arranged in a picturesque manner. The typical rural scenery and strong local customs in southern Anhui have become a major highlight of the drama's attraction to the audience. The online drama "The Most Edible Human Fireworks" tells a touching love story between urban white-collar workers and rural craftsmen. The male protagonist Jing Chen grew up in Jingyuan, an ancient residential museum