The audience experienced the VR equipment to display the image information of Terra Cotta Warriors at the RE Rui International Creative Memory Hall in Beijing. On the morning of May 18th, accompanied by the lingering sound of an ancient bell, a quaint wooden door was slowly pushed open, and the white clothed immortal "Shi'egong" walked out slowly, attracting the audience's attention. This is the first immersive guide drama "Xuannan Travelers" released by the Xuannan Cultural Museum. The Xuannan Cultural Museum is located in Changchun Temple, Xicheng District, Beijing. Changchun Temple was built in the 20th year of the Wanli reign of the Ming Dynasty (1592) and was built by the royal court. It was known as the "First Temple of the Capital" during the late Ming and early Qing dynasties, and was at its peak. Since 2019, the second large-scale cultural relic restoration work of Changchun Temple has been launched, and the basic display of the museum has been renovated and upgraded. Now, the newly renovated Xuannan Cultural Museum is once again open to the public. In terms of exhibition design, the museum is guided by an "immersive" experience and skillfully utilizes digital technology to explore a new exhibition activation path for immersive drama guidance, achieving the unity of cultural relics and ancient architecture protection, exhibition artistic effects, and humanized exhibition experience. Ladies and gentlemen, please come with me. "As the words fell, the audience followed in the footsteps of" Shi Er Gong "and moved to the" Civic in Z "exhibition hall. Pink ink appears on stage, with a strong Beijing accent and a stirring heart... The song "Dingjun Mountain" immediately rings in my ears. In the nearby "Fengyacun" mini stage, the Kunqu opera "Palace of Eternal Life" is being performed. Light and shadow hit the transparent panel, reflecting the figure of the actor, with every move and movement, and his clothes fluttering. On one side is a phantom of an actor, while on the other side is a lingering sound. The audience fully immerses themselves in it, as if they have traveled back to the bustling land of Xuannan, where ancient culture and modern civilization intersect and burst into vitality. This is phantom imaging technology, which can project image images into real-life models, giving people a visual experience that is both real and imaginary, "said Song Meili, a staff member of the Xuannan Cultural Museum. After watching the guide drama, I gained a deeper understanding of the historical heritage and charm of Xuannan, as if experiencing the public sacrifice of Yang Jiaoshan, the writing on the bus, the Wuxu Reform, and the newspaper industry in Xuannan firsthand in the long river of history... "said Zhang Ao, a resident who has lived nearby for decades. Temples, pavilions, treasures, and royal gardens... In Beijing, a total of 3840 immovable cultural relics are registered, including 7 World Cultural Heritage sites and 135 national key cultural relics protection units. The scattered cultural relics and ancient buildings are like pearls, connecting the thousands of years of history and culture of Beijing together. As an important carrier for the activation and utilization of cultural relics, museums carry the important mission of "bringing cultural relics, heritage, and ancient books to life". In recent years, with the continuous promotion of cultural relics protection, Beijing has launched the construction of the "Museum City". By exploring mechanisms for the evacuation and open utilization of cultural relics, it has promoted the deep integration of museums into urban life, allowing dusty cultural relics to enter the homes of ordinary people. On the shore of Taiye, under the red walls and black tiles, the sound of the ancient qin is melodious. On May 19th, in the courtyard of No. 10 Jingshan Back Street in Xicheng District, the renovated Qingyun Temple was renovated and upgraded to the Jinshi Museum, opening for the first time to welcome visitors. The Qingyun Temple, founded during the Jiajing period of the Ming Dynasty, has a history of over 400 years. The building faces north and south, with a layout of two