VR technology creates an immersive exhibition experience, displaying cultural relics in high-definition "magic screen" 3D, and robots playing Hubei folk song "Dragon Boat Tune" with yangqin... On the 21st, the 2nd China (Wuhan) Cultural Tourism Expo officially opened to the public. In the museum, high-tech elements collide with cultural tourism to create unique sparks, bringing new experiences to cultural tourism exhibitions. Entering the exhibition hall, the first thing that catches your eye is the "Great Beauty China Pavilion". The large curved screen is like a flowing scroll, dynamically showcasing the mountain and river landscapes and traditional culture of various regions. The top of the head, curved ring screens, and models of planets of all sizes form a vast cosmic landscape. This device is called 'Tianwen', and we hope to create an immersive viewing experience for the audience through the coordination of sound, light, images, physical decorations, etc., "the commentator introduced. The use of technological means to achieve "immersive viewing" is a major highlight of this expo. At the Shaanxi Pavilion, tourists can ride bicycles and freely shuttle through various scenic spots through the screen in front of them; At the Hunan Pavilion, tourists can wear VR glasses and enjoy the beautiful scenery of Zhangjiajie... "This exhibition has allowed us to break through the limitations of time and space, and enjoy different scenery from different places. I feel it's worth it," said Mr. Tian, a tourist from Henan. Entering the Jiangsu Pavilion, many tourists gathered in front of several "magic screens" displaying different 3D cultural relic models. Viewers can observe these rare treasures from various angles up close with just a touch of two fingers. For those who watch the center instrument, they can also scan the QR code on the screen with their mobile phone and "collect" these cultural relics with one click, so that they can continue to appreciate them on their mobile phone in the future. This screen is called 'Xianzhen Pavilion'. As a newly upgraded multi person interactive 3D cultural relic display screen, it can be widely used in the field of cultural relics, providing new means for the research, restoration, restoration, display, and protection of cultural relics. Staff member Sun Weidi said that he hopes to use new technology to create an "experiential, participatory, and interpretable" exhibition experience, and use digital technology to make history more warm. Technology has enabled ancient cultures to travel through time and space, engaging in dialogue with us, and traditional culture has also emerged with new vitality in the collision with technology. At the Hubei Pavilion, the robot picks up bamboo and plays the yangqin, using advanced technology to bring ancient and beautiful tunes. This is the second generation music robot we have developed, named 'Hai Lily', which has three main functions: intelligent score recognition, intelligent composition, and intelligent performance. It can be used in various scenarios such as popular science education, instrument detection, music education, and art performances. Zhou Li, the head of the music technology team at China University of Geosciences (Wuhan), expressed the hope that through artificial intelligence technology, traditional Chinese music can be better inherited. In the "Music Posthouse" in the exhibition hall, dozens of small robots are performing a dynamic China-Chic stage show. In the accompaniment of Jingchu characteristic music, robot people dance flexibly to the rhythm. Le Sen Robotics is equipped with custom programming functions, which can bring different music and dances based on programming, often used in festival activities and performances. "Cai Zefeng, the booth manager of Le Sen Robotics, said that he hopes to use technological means to enrich the artistic reconstruction of traditional culture, so that it can enter the public's sight in a form that consumers love, and help revive cultural and tourism development