"Symbiosis World - 2022 Jinan International Biennale", the paper sculpture "Fairy Tale World", by Li Hongbo. "Symbiosis - 2022 First Beijing Art Biennale" parallel exhibition "Touch the Dream Sanxingdui - 12K Immersive Digital Exhibition" is one of the exhibits. The "Zero Project" Golden Beer Workshop on the "Ninth Shenzhen Hong Kong Urban Architecture Twin Cities Biennale (Shenzhen)" provided by Zhang Heng is a microcosm of the urban renewal of Luohu in Shenzhen. At the beginning of the year, many cities in China have successively held large-scale biennial exhibitions, offering various artistic feasts to the general public. Since its inception in 1992, the domestic biennial exhibition has experienced over 30 years of development, ushering in rapid growth and achieving "breaking the circle" dissemination. Major cities are based on cultural construction, seeking differentiated positioning, and constantly exploring new exhibition planning concepts and operational models. How to create local characteristics and expand international influence? How to boost artistic innovation and empower urban development? Artists join hands with all parties to answer the new topics entrusted by the times through the biennial exhibition, an international exhibition platform. "Integration of Science and Art" opens up a new artistic scene with a large curatorial team, diverse art categories, and difficulty in obtaining one ticket for weekend viewing. These are the common characteristics of the recent biennial exhibitions. The Biennale is transforming from a professional art exhibition into an art event that is popular with the public. Presenting cutting-edge exploration, many biennales have broken through in innovation. Like the 2022 Jinan International Biennale with the theme of "Symbiosis World", it was held simultaneously in the two main exhibition areas of Shandong Art Museum and Jinan Art Museum on January 7, 2023. On the first day of its opening, it was a hot spring city. The international curator team, composed of 12 well-known curators, brought 272 works from 221 artists from 22 countries and regions to the audience, covering more than 10 art categories such as Chinese painting, oil painting, printmaking, sculpture, photography, installation, and new media, covering many artistic genres such as ecological art, conceptual art, abstract art, and exploring modernity and tradition, human and nature, region and world, reality and virtual in a creative form The relationship between art and technology has attracted nearly 600000 offline viewers. Whether it can bring new aesthetic experiences and cultural thinking to the audience is the key to attracting audience participation and achieving sustainable development in the biennial exhibition. Many biennials choose to explore new spaces for the integration of technology and art, such as the special "Technology and Art" section, which brings new visual wonders to the audience through the use of artistic works created using virtual reality, augmented reality, human-computer interaction, 3D printing, virtual simulation technology, and macro rear projection technology. The emergence of these works not only reflects the characteristics of the Biennale, which adheres to the pulse of the times, breaks the disciplinary framework, and encourages innovative exploration, but also brings infinite imagination and immersive, interactive and wonderful experiences about beauty to the audience, promoting the transformation of the domestic Biennale from a previous academic exchange platform to an open platform for interaction with urban culture and the public. The proportion of high-tech produced devices and new media works in the biennale continues to increase, which also brings new challenges to art creation. When a technology is widely used, how do you avoid creating a sense of similarity in your work? How to define the boundaries of art? how