Recently, Xianxia dramas such as "Star Falling into Sugar" and "Heavy Purple" were broadcast at the same time. From plot to human setting to love setting, they still can't run out of the old routine of Xianxia dramas, and even "Heavy Purple" became a bad imitation of "Flowers and Bones". The ancient Xiangxian Xia, whose plot is old-fashioned and stereotyped, is inevitably going downhill. How to seek the innovation and transformation of content is worthy of attention. Falling into a routine without innovation, the ancient costume myth love drama "Star Falling and Coagulating into Sugar" uses the conflict between the protoss, the human race, the orc race and the abyss race to build a story framework, and presents a fairy tale version of "marrying the right man in the wrong sedan chair". In order to maintain the stability of the four realms, the two princesses of the Terran race, Qingkui and Yetan, were to marry the prince of the Protoss and the Shen Yuan race respectively. However, on the wedding day, the third prince of the Shen Yuan clan's villain used magic to exchange the bride. The fiery princess Yetan, who was supposed to marry the Shenyuan people as "demons", was taken away by the Shenjun Xuanshang, the prince of the Protoss, and started a fairy love story that turned from laughter to sadism. This play still continues the framework of the blockbuster Xianxia play, but has made minor improvements in the role and the specific plot. The Shenjun of Xuanshang is still the immortal who wants to save the world. His mission is the same as the various "gods" in other Xianxia dramas. Under the oppression of patriarchal authority, he spent his life repairing and returning to the ruins to save the four realms. However, after the Xuanshang's soul flew away due to repairing the return to the ruins, instead of being reborn from the human disaster, it was transformed into three pieces of "divine sense", that is, three people. The plot set three pieces of "divine sense" to fall in love with Yetan respectively, so that the Xuanshang's soul could be restored to the immortality, and after the resurrection, the four realms would continue to maintain stability, and the mystery of Yetan's sisters' life would be revealed. This plot is actually a transformation of the sadistic love of "three lives and three generations". It has changed a bit. The plot setting of love for many generations has not changed. In the drama lover setting, Yetanyi is still a "fairy" similar to the ancient spirit in other plays. He grows up through the sadistic love with the god and the god. Xuanshang is still a stylized character who is cold as ice, has low EQ and sacrifices his feelings to save the life. The heroine is responsible for the comedy elements, and the hero is responsible for promoting the transition of the plot. The two roles match to pursue the comedy effect of "marrying the right man in the wrong sedan chair". However, the rhythm of the play is not good. The protagonists and heroines in the fairy palace "don't fight and don't know each other" are very detailed, but a little verbose, funny and dull; Ye Tan's search for the three separate roles of the Xuanshang after his soul is gone is like a horse's lantern. When he sees one falls in love with the other, he leaves the other after talking. The plot is not very attractive. That is to say, there is an innovative brain hole in the plot of the play, but in this part of the plot, it is difficult to write wonderful, and there is not enough space to write wonderful. The Star Falling and Coagulating into Sugar is still a big production of the orthodox Xianxia drama, which is admirable in terms of costume, character selection and performance, but the balance between comedy elements and plot innovation is not very good. Yang Chao and Xu Zhengxi starred in "Heavy Purple". The plot and human settings are very similar to the low-profile version of "Flowers and Bones". The plot of the play is naive and brainless. The heroine of "silly white sweet" takes all kinds of unreasonable and heartless as fun, and many plot advances are not logical. This play has comedy elements, but it is neither funny nor sadistic. In the words of netizens, it is described as "being refined" female apprentice and Gao