Yesterday morning, the "Source · Margin - Fujian Taiwan Art Exhibition" was exhibited in Hall 2, South China National Museum. This exhibition is co sponsored by the National Museum of China, Fujian Provincial Department of Culture and Tourism, and organized by Fujian Museum. A total of more than 400 works of art from Fujian and Taiwan are exhibited. It interprets "one family from both sides of the Taiwan Straits, one family from Fujian and Taiwan" from opera, literature, calligraphy, art and other aspects. The exhibition will be open until April 9. Fujian and Taiwan are closely linked in terms of geography, blood, cultural origin, etc. Cross Strait economic and cultural exchanges can be traced back to the Stone Age. Anxiliao, Fu'anli, Quanzhou Cuo, Xinghuakeng, Yongchunpi, Tong'anzhai, Longyanzhuang and other Taiwan settlements named after the place names of Zhangzhou and Quanzhou in Fujian, as well as more than 100 villages and towns with the same name in Fujian and Taiwan, such as Zhao'an, Meishan, have completely recorded the historical track of Fujian ancestors' development of Taiwan. The customs and art forms of Minnan dialect, clan ancestral temple, cloth bag opera, Mazu's belief in customs, Minnan architecture, etc., always tell the continuous tenderness rooted in Fujian and Taiwan. The reporter learned from the National Expo that the exhibition is divided into four parts. The Preface Hall, "the same ancestor, the same origin, the close kinship and amity", combines the abstract red brick architecture in southern Fujian with exhibits such as genealogy, genealogy, rubbings of the ancient Dukou Road Pavilion, and Taiwan soil brought back by Taiwan compatriots to demonstrate the Chinese nation's cultural tradition of "valuing land and family, and paying attention to blood ties". The first unit, "The Sound of the Straits has Been in Harmony for a Thousand Years", shows the affinity of Fujian and Taiwan languages and the emotional connection expressed by the people of Fujian and Taiwan through their common traditional operas through such opera forms as Nanyin, Xiangju (Gezi Opera), Fujian Opera, Puxian Opera, Liyuan Opera, Gaojia Opera, puppet show and modern opera. The second unit, "Art in a well-off society", focuses on the common living habits and customs of Fujian and Taiwan, and combines the folk crafts and arts and crafts works jointly created by craftsmen and artists on both sides of the Taiwan Straits to show the exhibition theme of Fujian and Taiwan. The third unit, "Freehand brushwork of China", shows that Fujian and Taiwan culture is a part of Chinese culture through literature, calligraphy, painting, lacquer painting and other artistic forms. The two places have a deep cultural origin. Among the exhibits, "Jiangjia Zou Sculpture Puppet Head" from Fujian Museum shows that Fujian puppet show has a long history. Puppet shows have developed a variety of performance forms in Fujian. Among them, string puppet, bag puppet and iron branch puppet are called "the three wonders of Fujian puppet". The magic and wonderful puppet performance skills have won Fujian the reputation of "the hometown of puppet". During the Ming and Qing Dynasties, puppet shows spread to Taiwan with Fujian immigrants, becoming an important carrier to connect the cultures and blood ties of the two peoples. The pottery lamp holder of the Lion Lord Gate in Jinmen of the Qing Dynasty, collected by Quanzhou Museum, comes from the traditional architecture in Jinmen, Fujian, and has local characteristics. Lions in Minnan, Jinmen and other places are set up on the doors and roofs of buildings or on the high platforms of villages to ward off evil spirits for people, homes and villages. In addition, the golden lacquer wooden table lamps with dragon figures in Putian Museum are of superb workmanship. Since the Ming and Qing Dynasties, a large number of Fujian ancestors who mastered wood carving skills moved to Taiwan, bringing traditional wood carving skills to Taiwan's daily life. Gold lacquered wood carving is an important school of wood carving in Fujian and Taiwan. It was first used in the carving of Buddha statues and deities, and later developed into architectural decoration, furniture and daily appliances. gold