Film is not a job that can be completed by one person, but it is also an art with a very personal style - I said this when I won the Golden Rooster Award for Best Actress. The award is of dual significance to me. It is not only the professional recognition from the industry, but also the respect and affirmation for the film workers who have never changed their original mind and always stick to this art world in recent years. Mom This film is very special. I play a "daughter" who is over 60 years old and suffering from Alzheimer's disease. This role is the richest and most complex performance art practice I have been engaged in for decades. What is the "interface" in the evolution of the "daughter"'s early, middle and late illness? How does the state of passive wandering between wakefulness and amnesia appear? As an actor, I have to go close and have a strong desire to explore this special field. Mom Before shooting, I saw some films with related themes, read medical books and materials, and touched the tangible or intangible outline of the character step by step. In the first half of the year, the characters followed me like a shadow. Facing life directly is the key to shaping characters. Art does not simply copy life. Artists should constantly interpret their understanding of life to their characters. As an actor, you should be a conscientious person in your daily life, rather than waiting for a specific shooting project to find examples in your life. Keep looking back and reflecting, which is what I often warn and remind myself. In recent years, I have participated in many realistic movies and TV plays, including "Mom!" Meritorious deeds, Together, Breakthrough, etc. The advantage of realistic themes is that at present, events in society can be quickly perceived and touched by people through the carrier of literature and art. The difficulty of creation lies in the fact that there is no room for sand in realistic themes, because the characters played by actors and the stories told in the play may happen around everyone. The audience can see at a glance whether the works are good or bad, and the characters are shaped like or not. None of the characters are the same. The actors will get more nourishment in the process of shaping a good character. The historical legendary drama "The World's Long River" with the theme of Yellow River governance, in which I participated, was broadcast on Mango TV recently, in which I played Empress Dowager Xiaozhuang. Sometimes, you have to figure out the characters from both sides, so that the characters will be richer, fuller, flesh and blood, and the audience will not think that the actors are simply expressing their characters. The report of the 20th National Congress of the Communist Party of China put forward that we should adhere to the people centered creative orientation and launch more excellent works to enhance the people's spiritual strength. In recent years, the theme film and television works have focused a large number of shots on ordinary people, no matter Mom Feng Jizhen in, Zhang Minhua in Together, and Cheng Duanyang in Breakthrough. I played a lot of small people, but they are all the most touching part of the people. The little people in the big era are ordinary, but their connotation and value are not small. Concern about common people's empathy and passing on a positive attitude towards life are also important aspects of adhering to the people centered creative orientation. For writers and artists working in the front line of artistic creation, whether writers, directors or actors, full and fresh creativity is a constant source of vitality