Ancient architecture is the witness of thousands of years of Chinese civilization and the development of Chinese culture. With the passage of time, the ancient buildings have become incomplete or dilapidated. It is urgent for the restorer to recreate "memory" with skills to make the ancient buildings "rejuvenate" and "stay beautiful". In recent years, a group of young ancient architecture repair practitioners have emerged all over the country. They speak with architecture and let history speak, so that the ancient architecture can be completely restored while improving the level of display and dissemination of ancient architecture, making new contributions to inheriting the excellent traditional Chinese culture and meeting the growing spiritual and cultural needs of the people. In order to revive the magic of ancient buildings, ancient building restoration practitioners should not only be sincere, but also sit on the bench and make the seemingly dull restoration work lively and vigorous. A carving piece can be successfully carved after repeated comparison; One wall tile and one column can be used after multiple processes; From the proportion of the dougong, the level of the color painting to the shape of the roof, every detail is the embodiment of ingenuity. In their youth stories, a long history and a new era met. They studied deeply, accumulated knowledge, summarized new experience in the repair process, obtained new information, broadened new ideas and perspectives, improved the display and communication level of ancient buildings through VR and other new technologies, and used short video and new media to enhance the protection awareness of ancient buildings in the whole society. Ancient architecture is a value symbol that carries Chinese culture and Chinese spirit. Each ancient building bears the historical context and cultural development. In Qin and Han Dynasties, Tang and Song Dynasties, Ming and Qing Dynasties, the aesthetic appeal and cultural spirit expressed by ancient buildings in different dynasties are different; The red walls and green tiles in the north are solemn and thick, while the white walls and green tiles in the south of the Yangtze River are fresh and elegant. The styles and characteristics of ancient buildings are different in different regions. Historical and cultural heritage carries the genes and blood of the Chinese nation, not only belongs to our generation, but also belongs to generations. It is precisely because young practitioners of ancient building restoration have restored and reproduced ancient buildings from complicated processes, so that we have more architectural specimens, from which we constantly learn the nourishment of Chinese excellent traditional culture, and understand the spiritual connotation of "harmony between man and nature", "self-improvement", and "virtue"; Because of their hard work and innovative exploration, people have more opportunities to stimulate our national pride and confidence through the wisdom of ancient architecture, which is the crystallization of Chinese civilization, so that we can strengthen our historical confidence and cultural confidence in real practice. The protection of ancient buildings is a long-term and complicated work, which requires more professional talents. At present, the ancient building restoration industry is faced with difficulties such as lack of professional talents, low accuracy of vocational education, uneven level of employees, limited promotion space, and incompatibility between professional education and actual needs. This tells us that in terms of training system, security mechanism, etc., more attention should be paid to the practical demands of practitioners, so that they can adhere to the "original intention" and "ingenuity" without worry. In recent years, various departments of the state have made many efforts to deal with this situation. The State Administration of Cultural Heritage and the Ministry of Human Resources and Social Security jointly issued the National Vocational Skill Standards for Cultural Relics Restorers, which set out the professional level, professional skills and technical requirements for cultural relics restoration workers