(The picture shows Qi Baishi, a Chinese painting of Baqiao Bridge in the wind and snow.) Qi Baishi is a legendary artist. He is not only well-known in China, but also respected and respected overseas. In the 1920s, Qi Baishi's works were sought after in Japan; In the 1930s, its reputation spread far and wide in Europe; In the 1950s, his paintings were often presented to heads of state as a national gift. Qi Baishi was also awarded the title of "People's Artist" and the "International Peace Prize". On the occasion of the 2022 "Year of Chinese and Italian Culture and Tourism", two exhibitions, "Green and Green in the Garden -- One of Qi Baishi's Cross space Dialogue" and "Don't Like Mediocrity -- Qi Baishi's Artistic World", launched by Beijing Academy of Painting from different perspectives, were held simultaneously in Beijing, China and Milan, Italy. The two exhibitions echo each other from afar, which not only shows the natural interest of Qi Baishi's art, but also makes the audiences of both countries feel the resonance of Chinese and Italian culture and art in the meaning of pen and ink. (The picture shows Qi Baishi, a Chinese painting from school) Bringing the cultural distance between the two countries closer. "Don't like mediocrity - Qi Baishi's art world" exhibition was hosted by Bauhinia Culture Group Co., Ltd., Beijing Municipal Bureau of Culture and Tourism, and Milan Municipal Bureau of Culture. It met with Italian audiences at Milan Steam Factory Museum. The exhibition includes 54 copies of Qi Baishi and related auxiliary exhibits (sets), including albums, hand scrolls, vertical shafts, digital interactive devices of exhibits, etc., to show the essence of the oriental art of Qi Baishi's "one flower, one world" pen. The exhibition not only shows the freedom, nature and freedom of Qi Baishi's art, but also breaks the conventional way of exhibition. It traces back to the ancient Chinese way of viewing paintings, combines the traditional Chinese way of appreciating paintings with the artistic conception of gardens, and with the introduction of multimedia, it can be said that there are different scenes and different caves. For example, there is a Chinese style study in the exhibition hall, so Italian audiences can experience the unrestrained brushwork through interactive technology, and experience the situation of ancient Chinese painting and the fun of elegant collection. Maria Fratelli, curator of Milan Steam Factory Museum, said that Qi Baishi's works, a great Chinese artist, have brought the cultures of China and Italy closer, as well as the people of the two countries closer. In the Venice Biennale in the 1950s, Italian audiences saw Qi Baishi's works of art; Today, dozens of years later, we are once again entering Qi Baishi's art world. Qi Baishi did not forget his country's cultural tradition, nor did he neglect the modernity of his time. Similarly, this exhibition also starts from the traditional Chinese culture and enables European audiences to understand the poetry and dimensions of Chinese painting and calligraphy through modern new exhibition technology. (The picture shows the old man and his grandson, Domenico Girandayo, Italian) The consistency and connection of civilizations. The exhibition of "Green and Green in the Garden -- One of Qi Baishi's Cross Space Dialogue" held in the Art Museum of Beijing Academy of Painting started with the method of cross-cultural research, and tried to launch a dialogue beyond space and time with Qi Baishi as the main body. "The garden is full of green grass" is the poem of the old man Baishi, full of vitality and interest; If it is related to the expression of human civilization, it is also somewhat consistent, which can be understood as implying the consistency and connection of human civilization. In this exhibition, the audience can use Qi Baishi and