The prose collection "Coming from afar" (published by Taibai Literature and Art Publishing House in December 2021) describes what the writer Bei Qiao saw and heard when he held a temporary post in Lintan County, Gannan Tibetan Autonomous Prefecture, Gansu Province. When Bei Qiao just set foot in the west, he opened his consciousness, talked with heaven and earth, and talked with mountains and waters, leaving these simple and rich prose. The appearance of these essays is simple and amiable, which seems to introduce some feelings to the old people; The words are calm and the tone is easy and natural, like the chatter among friends. As a reader, I feel an intimate tone that makes you believe the author's narration and judgment. This intimate tone of voice is not accidental. Beiqiao is talking with readers with sincere feelings, from the role of writer to our friend. The aesthetic spirit filled in the article is unforgettable, which opens a rich impression library for us. Beiqiao has a solid photographic experience, which nourishes the photography art in terms of perspective, color, and level, and endows the writer with a wide range of artistic ideas. His prose can get rid of the theme first conceptual writing and is permeated with a lasting smelting method. "Dare to win more by a little", Beiqiao's refining method of prose charm, or such as gardener pruning method, which makes artistic subtraction when giving up; Or set up gaps to guide readers to fill in the imagination space. For example, the prose Silent River wrote: "When I walk on a winding mountain road, it is like wandering in a river. This river is static, and it is me who walks. If my walking is static, then the river is flowing." In the face of images and nature, Beiqiao first selected the characteristics of aesthetic objects, and then stereoscopically mobilized the sense channels to make the jungle of images a landscape. With modern implication, his prose is full of artistic conception and interest. In other words, when facing the natural scenery, Beiqiao not only "looks" with heart, but also indulges his thoughts and highlights his personal "views". As the philosopher said, "reality without annotation does not exist". Tracing and recording are inevitably at a certain cognitive fulcrum or philosophical position. What is written is not written. Writing in this way or that way implies ideas and is the product of ideas. The reason why Beiqiao's prose always has a refreshing feeling is that his self-consciousness is based on the combination of the above factors, which enables him to break away from stereotypes, overcome the inertia of thinking, and speak new words and ideas. He is good at looking at the same problem from multiple perspectives and exploring multiple aspects of thinking to see things, so his prose often shows sudden changes in ordinary narrative. For example, the sudden blank, deviated style, and slow narration will cause the rise and fall of prose emotion and the sharp turn of flavor, and the readers' reading mood will also be expanded. In this collection of works, every piece of prose can be seen everywhere. These idle pens of Beiqiao are very much like the "calling structure" of accepting aesthetics, urging readers to find the meaning of the works with blank space. The essence of things often does not lie in things themselves, but in the structure between things. Lotus Mountain tells us the experience of going down the mountain. "On the way down the mountain with ease, I thought of my worries when going up the mountain, and I felt funny. Because I was too relaxed, I stumbled on the most plain wooden plank road