In recent years, Shaanxi people's Art Theater has explored and activated drama art resources from excellent literary works. It has successively put three novels, including Chen Zhongshi's White Deer Plain, Lu Yao's ordinary world and Chen Yan's leading role, which won the Mao Dun Literature Award, on the stage of drama, attracting the attention of the industry and the public. It is a fine tradition of Chinese drama art to bring excellent literary works onto the stage. Shaanxi has a historical tradition of combining drama and literature, rich local literature resources, and multiple art markets where literature and drama overlap. This is the basis for Shaanxi people's art theater to achieve the combination of high-quality literary connotation, high-quality stage presentation and high-quality art market and achieve win-win results. In the past 10 years, Shaanxi people's Art Theatre has invited screenwriters and directors from all over the world to work tirelessly and carefully. Screenwriter Meng Bing has devoted 10 years to the creation of the drama "White Deer Plain", and the screenwriter Cao Lusheng of the drama "protagonist" spent three years to change his manuscript. Actor Pu Cunxin said after watching the drama "protagonist": "Shaanxi people's Art Theater has established an image of a literary theater, drawing nutrition from literature and establishing a repertoire." Literary quality is an important component of drama aesthetics. Drama and literature converge in the depth of the theme of the work, which is the basis for the integration of the two artistic styles. The differences in the forms of expression, the fields of expression and the objects of appreciation between literature and drama have opened up a broad Xintiandi for re creation and re dissemination. The drama protagonist not only retains the literary spirit of the original work, but also creates a unique stage presentation; It respects the original works and pursues leapfrog innovation between different styles. Respecting the original works is to grasp the basic spirit of the original works, reproduce the life attitude and life passion of the original author and the main characters of the original works, and make them live with each performance site. The creators of the play transformed the feelings of compassion that permeated the novel into the keynote of the whole play, firmly grasped the description of the fate of Qin E in the original work, and dealt with it intensively and prominently. Through a series of dramatic conflicts in the memory of Qin e, the whole play highlights the character's good quality. Exploring the drama and philosophy of the protagonist's character and destiny constitutes a major feature of the play. The two opposing artistic symbols of "wreath" and "Jingguan" alternate on the heroine. The protagonist lives out himself in this transformation, reflecting the warmth contained in society and human nature. At the end of the play, her performance in her hometown can be regarded as a "spiritual return home". The accumulation of previous distress and the long-term depression have been transformed into the sorrow of fate and the will to move forward. The courageous struggle constituted the destiny of recalling Qin E. The characters in the play explore in the three levels of professional life, ups and downs of fate and spiritual transcendence, deepening the aesthetic meaning of the "protagonist". Thus, the story of an actor has become the common emotion and story of many people in life, and has aroused a wide range of aesthetic resonance. Tragedies tear up beautiful things for people to see, and make life heal, sublimate and mature in the continuous tearing, so that the audience can see the life force of pursuing truth, goodness and beauty. The whole play has written so bright a play imbued with sorrowful feelings and tragic beauty; It's not easy to write a play that explains the philosophy of "for the sake of not fighting" and "for the sake of not getting anywhere"! The protagonist impressed me deeply