Humor wraps sadness and reflects reality The film "the great events of life", which opened in four days and grossed nearly 300million, became the first highly praised film in this summer. In the film, actor Zhu Yilong brings a completely different sense of contrast from "little grandpa", which is called "subversive performance" by the audience. In terms of content, the film "major events in life" fills the gap in the funeral theme of domestic films. It faces life and death directly, and warms and heals through the help of small people. This kind of warm narrative expression brings a warm wind to the audience, and also becomes the key to breaking the circle of "major events in life". The film "major events in life" tells that after Mo Sanmei, played by Zhu Yilong, was released from prison, she "inherited her father's career" and took over her father's funeral shop. During a funeral, she met wuxiaowen, played by Yang enyou. By coincidence, he and two partners got custody of Xiaowen, but after that, a series of accidents followed. In the cast of "major events in life", Zhu Yilong is the most important attraction. Zhuyilong on the screen speaks Wuhan dialect, keeps an inch of head, likes flowery shirts and flip flops, and strives to be close to the image of "street ruffian" in the role setting. The film also has many close-up shots of Zhu Yilong's eyes, but unfortunately, Zhu Yilong's eyes are too clean, which is somewhat different from the rough taste of the "third brother". Zhu Yilong's familiar "licking smoke" action designed by himself adds a lot of points. In the film, the dialogue between Zhu Yilong and young actor Yang En in Wuhan dialect is a major feature. On the other hand, the narration and presentation of the funeral industry has become the most special place in the major events of life. At the beginning of the film, Mo Sanmei wears a shroud for the old lady and uses the oolong to steal things to show the various prejudices that funeral practitioners will encounter. In addition, after the accidental death of Mo Sanmei's rival, Mo Sanmei and her father went to the funeral home to make up for the dead, and Xiao Wen painted on the pink urn, laughing frequently, and the funerals of living people. The details are the presentation of funeral customs and customs. The relatively unpopular theme in this kind of film makes people think of the Japanese film "mortuary", but "major events in life" does not emphasize "suffering" and "Sadness", but has a sense of humor. The opposite play between Zhu Yilong and Yang enyou is the highlight of the whole film. The relationship between Mo Sanmei and Xiaowen started from irreconcilable and irreconcilable at the very beginning to the father daughter relationship, which is hard to part with. The transition and progression of the whole emotion is very convincing, and many bridges make people cry. For example, Mo Sanmei "cruelly" told Xiaowen that the smoke from the chimney was grandma. Xiaowen told his teacher at school that "Dad" Mo Sanmei was a person who planted stars in the sky. Later, Xiaowen's biological mother came to her. While Xiaowen was asleep, Mo Sanmei took her to a taxi and sent her away. As a result, Xiaowen woke up crying to get off the bus, patted the window and shouted "Dad". Mo Sanmei ran after the car and even lost her slippers. The relationship between the two people progressed layer by layer, driving the mood of the audience. Laughter and tears are the key words of the movie "life events". Han Yan, the producer of the film, has used the creative technique of laughing and crying for many times, trying to discuss the meaning and value of life with the audience in different stages and contexts. For example, his previous films "get out of here! Tumor king" and "give you a little red flower" all involve the issue of life and death, and are similar to the way "life events" uses comedy to wrap reality. The "laughter" in the film "life events" shows the sympathetic mutual assistance between the small people. On the other hand, the protagonists are neither laughing nor crying in the process of getting to know each other. The "third brother" met wuxiaowen, an orphan with a rebellious character. One claimed to be Sunwukong, while the other held a fork halberd and tied two high bun, which looked like Nezha. When the two first met, they lived in the upper and lower bunks. Xiaowen was so scared by the paper doll that he dared not go to the bathroom. He wet her bed in the upper bunk and made Mo Sanmei look very sad. Mo Sanmei washed the sheets but found that the house property certificate was wrapped in it, making the room book a blank one. Handling serious and grand propositions lightly requires both humorous passages and real "Sadness" in life. The "Sadness" in "get out of here! Cancer king" is an incurable and incurable disease, and the real pain in the process of Xiong Dun from emergency room to hematology department to chemotherapy. "Sadness" in "give you a little red flower" is Wei Yihang's line "I'm afraid I'll die as soon as I get my heart out". In life events, Mo Sanmei and Wu Xiaowen are in a difficult situation. Mo Sanmei is engaged in one-stop funeral service, and her professional attributes lead him to encounter various prejudices. Xiaowen lost his grandmother, and his uncle's family didn't want to raise her, so he became a helpless orphan. The sadness wrapped by humor is the background color of the film. (outlook new era)