It's my honor to play these fighters. As a literary and artistic worker, we are born at the right time, and the stage for us to display our talents is incomparably broad. At the same time, I also feel that we have a great responsibility and a mission on our shoulders. As an actor who has played many heroes and models, I am deeply inspired and excited. In my 15 years of film career, I have played soldiers of the Chinese people's Volunteer Army fighting on the front line of resisting US aggression and aiding Korea, astronauts who have sacrificed their precious lives for the aerospace industry of the motherland, and grass-roots poverty alleviation cadres who are diligent and selfless. In the process of growing up with my role, I have witnessed the rapid development of the motherland and felt the spiritual strength of the era's fighters who are not afraid of difficulties and forge ahead bravely. One of the most unforgettable is the character "Ma Defu" in the theme work "mountain and sea feelings". I was very strange to this role at the beginning, so I came to minning Town, Yongning County, Ningxia in advance. The shooting location is in the vast northwest Gobi desert. It was midsummer at that time. There was no water or electricity, not even a tree or a cool place. The sandstorm blows loudly. After scraping, it is covered with sand. Standing on the Gobi desert for a day, my skin burst and my lips cracked. I changed into old yellow clothes and cloth shoes, combed the common local hairstyle, and painted plateau red on my sunburned cheeks. I never changed this dress until I finished the shooting task. There seems to be a magical magic in the land of the Great Northwest. Basking in the sun, blowing the wind and eating the sand, he suddenly became a character in the play. I was 35 years old when filming "mountain and sea", and Ma Defu in the play is a 19-year-old young man who has just graduated from agricultural school. How to narrow the age gap through performance? After careful consideration, I decided to find a fulcrum in form and appearance. When Ma Defu first took office, he would unconsciously lower his head and keep his mouth closed because of nervousness in the face of his familiar elders in the village; With the smooth development of the work, Ma Defu's state has also expanded. During the shooting process, I also fully felt the affection and intention of the whole creative team for this work. In order to have a better life, Mei Defu walks across the shady land with her husband, but she finally walks across the shady land to support her husband. At the entrance of the village, Ma Defu looked at her from afar, smiling and weeping. This play is the key to the turning point of the plot and the climax of emotion. It must be presented with the most beautiful picture. The director decided that he had to use the best light before sunset, and such a scene was only half an hour a day. Although the shooting time was very tight, the main creative team still waited silently in the Gobi. Sure enough, we were completely immersed in that atmosphere. Under the setting sun, they didn't have a line, but their eyes were intertwined with complex emotions such as joy, sadness, relief and understanding, which moved everyone. Today's minning town has taken on a new look, full of rows of red brick houses, shady green trees, tens of thousands of hectares of vineyards and modern vegetable greenhouses. It is the poverty alleviation cadres' spirit of "not breaking the Loulan and not returning it" and the dedication of "bowing down and being willing to be an ox" that have turned the former Gobi desert into today's "upper reaches of the Yangtze River". The performance experience of "feelings of mountains and seas" made me experience a relocation and reconstruction of my home with poverty alleviation cadres and villagers. I felt the real benefits of poverty alleviation to the people and the significance of poverty alleviation. If poverty alleviation is a war without gunpowder smoke, then every poverty alleviation worker is a hero on the battlefield! On April 24, 1970, the long March-1 carrier rocket carrying the dongfanghong-1 satellite was successfully launched, realizing the dream of entering space. Last summer, I followed the crew of "me and my parents" to the rocket engine R & D base. Here, I learned a lot of touching stories about China's first generation of astronauts. They are indifferent to fame and wealth and devote themselves to research. Because of their busy work, it is difficult to take into account the family, but as people's children and parents, they also have the same tenderness and attachment as ordinary people. I hope that through the role of Shi Ruhong I play, the audience can see not only the rigorous and meticulous, brave and fearless rocket engine designers, but also their tenderness and warmth as ordinary people. As an ordinary person, the more it resonates with the audience, the more respectful it is as a hero. It's my honor to play these fighters. As a literary and artistic worker, we are born at the right time, and the stage for us to display our talents is incomparably broad. At the same time, I also feel that we have a great responsibility and a mission on our shoulders. In the coming days, I will continue to go deep into life, take root in the people, adhere to creative transformation and innovative development, warm, inspire and enlighten people with excellent literary and artistic works and successful artistic images, express my feelings for the people and sing for the times. (outlook new era)