During the Zhenguan period of the Tang Dynasty, at the beginning of Li Shimin's accession to the throne, there was another dispute between the Tang Dynasty and the desert... On this day, a team of people from the desert arrived in Ganzhou City and the two sides began peace talks. "I am the princess of Datang. Whoever dares to bully the people of Datang is against me." "I will defend Ganzhou City to the death. Where the military flag goes, where my heart goes, I will die without regret." "My wish is very simple. I want to feed the orphans in my hometown. Why is there war in this world?" The story of the Tang Dynasty, the lines of the Tang people, at first glance, thought it was an ancient costume play with the background of the Tang Dynasty; But take a closer look, eh, why are these princes and generals of the Tang Dynasty a group of "crooked nuts" with different skin colors and accents but wearing Tang style ancient clothes? In the latest issue of "generation Z youth theory", young people from China, the United States, Germany, Russia, Malaysia and other countries dream back to the Tang Dynasty in the script called "long song line". Take a boat and immerse yourself in the long river of Chinese culture The script was originally imported from Britain, but in China, it is not acclimatized, but like a fish in water. In China, this game form first entered the public's view in a reasoning reality show "star detective" launched in 2016. In 2019, the number of script libraries nationwide soared from 2400 to 12000, and by the end of 2020, this number had exceeded 30000. The script killed the fire. Then it was found that it could have a bigger stage than entertainment. DM (dungeon mate, meaning game control - reporter's note) Beiming, who was killed in the script, is both the cultural relics restorer of the Forbidden City and the creator of the script. The script of long song line came from him. Beiming said, "I have built so many cultural relics, but few people pay attention to the stories behind the cultural relics, so I began to write game scripts. In fact, I don't want to do 'script killing', I just want to tell stories in an immersive way and tell the stories of Chinese culture to the world." In the long song line, Beiming set up the game link of "flying flower order". This ancient Chinese scholar's game once became a new game for this session of teenagers and youth because of the Chinese poetry conference. For Beiming, the script is like a boat, carrying young people from all over the world, riding the wind and waves all the way, so that they can enjoy the scenery on both sides of the long river of Chinese culture in all kinds of interesting links and wonderful stories. The dissemination of culture emphasizes moistening things silently, and the script that pays attention to immersive experience coincides with it; Culture also influences each other in the communication between people, and script killing is a kind of offline social way loved by young people. Gong Weiliang, associate professor of Communication Research Institute of Communication University of China, said that social networks can not timely and accurately see other people's feedback on themselves. More and more young people are gradually dissatisfied with the fuzzy self-identity of online social networking, while offline social networking can provide them with a more clear and multidimensional self-identity. Aarrhee, a Malaysian girl who claims to be a "social terrorist", is "maneuvering" in the script. "Can you believe that I'm actually afraid of communicating with strangers, but I still spend half a day throwing away my mobile phone and playing the script, because I see different possibilities in other people's lives." Aarthee said, "psychologically speaking, more experience of other people's stories will make me want to be like that. I like the stories of ancient heroes very much and want to try to play them when I have the opportunity. I hope Malaysia will open more screenplay studios." The museum shows a vivid and three-dimensional ancient China Cui Haonan is a screenplay writer and also runs a screenplay library. He said that many emerging industries, such as script killing, are booming, "just looking at the book, this time we play the ancient style immersion book, and others include the emotional book, mechanism book and comprehensive book... Script killing also cooperates with the museum to make history" live "and let China's rich and colorful stories go out". In recent years, the national tide has poured into all aspects of young people's life. The game field often uses traditional cultural elements, historical character archetypes, intangible cultural heritage art practice and so on. There are also many attempts in the field of culture and Expo to pay attention to entertainment and immersion, hoping to better approach young audiences. Whether Chinese or foreign young people, to understand Chinese history, going to the museum is one of the quickest and intuitive ways. The "marriage" between the museum and the script upgraded this way from unilateral "viewing" to immersive "experience". As a new category of Museum cultural creation, museum drama has quietly grown in various museums to show a vivid and three-dimensional ancient China. Based on the "underground palace treasure - special exhibition of the essence of Tang Dynasty palace cultural relics in Famen Temple", the "shadow of Famen dream" of Changsha museum tells a story of a journey through the period of Tang Huichang (the year of Tang Wuzong, 841-846), when the imperial court sent spies to look for the relic (the real relic of Sakyamuni unearthed in the underground palace of Famen Temple - reporter's note); When will the east wind in Luoyang come from Luoyang Museum? The story takes place in the Jin Dynasty. The heroic children of the 16 countries of five Hu love and hate, and are vigorous. The gold seal of "King Hu of Jin Gui Yi", the transparent carving of agate Bi with dragon pattern, the string decoration of Golden Lions and other cultural relics have become the key clues in the script. Pan Shouyong, a professor of Shanghai University who has long been committed to the academic research of Museology, once said: "by the end of 2020, 5788 museums have been registered in China. In terms of hardware conditions, I think at least more than half of them are qualified to do Museum screenplay." Of course, we should also note that the most important thing is the quality of the script. We should not only make players have resonance and immersion, but also tell Chinese stories well. The museum script is ultimately to serve the exhibition and educational functions of the museum. If the audience is only allowed to wear ancient clothes without knowing the story behind it, the effect will be greatly reduced. The classic text has a huge interpretation space and tells the common destiny of mankind Although it is an ancient story, Beiming feels that the script of ancient themes ultimately points to the present and future. "This game is like a window. When you open it, you can see history and the light of today's era. History and reality echo each other." Beiming said, "for example, the historical background of the Tang Dynasty we are playing this time is known as the rule of Zhenguan. In the context of the Chinese people, it has become a generational term for political clarity, economic recovery and cultural prosperity. Observing the development of our society and various industries, we will find that we are indeed more and more prosperous and confident." The story created by Beiming in the script also shows the character of the Chinese people. "No matter in the past, now or in the future, the Chinese people hate war and advocate peace and unity. We hope to pursue common prosperity in a stable environment, and we are all very down-to-earth, willing to work and United.". These things don't need to be spoken out. Foreign young people may realize them by playing a script. After playing a game of "long song line", a group of foreign young people met the heroes of ancient China. Aarrhee thought of an ancient Malaysian queen recorded in history books, "she always dressed like a soldier and was a female role model"; Russian boy Maxim thought of the "three warriors", "they love the people and resist foreign enemies"; German brother Adrian remembered the story of an exiled Duke, "he was smart and brave and lived on an isolated island" Interestingly, this group of young people from all over the world who got together because of the script actually knew Nezha, "he is not a good child in the traditional sense, but he is so hot!" It seems that the topics of young people are always similar. There is no shortage of good stories in Chinese excellent traditional culture, and good stories can cross the boundaries of time and space. The classic text has a huge interpretation space and tells the common destiny of mankind. For example, "Nezha" talked about rebellion, "my life is up to me, not heaven" is still the voice of today's young people; "White Snake" discusses love, friendship, torture, trust and pursuit. These "new stories" have been successful on the big screen and have been recognized by Chinese young people who were not "cold" about the "old stories". In fact, to some extent, the Internet has leveled the world. To tell Chinese stories to foreign young people, what is also needed is a good story and a good way - script killing. You might as well try it. (outlook new era)