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Post-95 "and" Treasure Guardians ": Using" Craftsmanship "to Interpret" Transforming Decay into Magic "

2023-04-04   

Hao Yexing is a member of the Cultural Relics and Archaeology Research Center of the Yuanmingyuan Management Office in Haidian District, born in 1995. He is the cultural relic "Treasure Keeper" of Yuanmingyuan, and has repaired 5 pieces of porcelain so far. The largest cultural relic that he personally participated in the restoration is the Blue and White Lotus Embroidery Pier, which took half a month to complete 132 fragments of "puzzle", bringing the glory that was lost in time back to life in contemporary times. He is also a treasure hunter of the Yuanmingyuan cultural relics, constantly traveling in various demolition areas around the Yuanmingyuan. A brick, a square stone, and a column foundation may be a cultural relic. He shoulders the heavy responsibility of history and allows the scattered cultural relics to "return home". The dazzling porcelain fragments are pre assembled. Hao Yexing is a Beijing native who loves to visit the Forbidden City and the first blog since childhood. He is a complete fan of cultural relics. He likes to collect news updates from major museums in newspapers, and whenever there is a new exhibition launched, he will immediately go to the scene to "see it first". In his eyes, cultural relics are witnesses of history and carry the brilliant civilization of the Chinese nation. History is distant and mysterious, which is precisely its beauty, constantly stimulating my thirst for knowledge. "When taking the university entrance examination, Hao Yexing decisively applied for the major of Cultural Relics and Museums and studied archaeology with his supervisor. After four years of systematic study, Hao Yexing entered the Cultural Relics and Archaeology Research Center of the Old Summer Palace Management Office as he wished after graduation. In addition to excitement, he aspired to apply what he had learned and take practical actions to protect the "treasure trove of Eastern culture and art" of Yuanmingyuan. Shortly after joining the company, he encountered the most systematic and large-scale cultural relic protection and restoration project in Yuanmingyuan in recent years - "Restoration 1860". Yuanmingyuan was once known as the "model of all garden art". This "garden of ten thousand gardens" not only has stunning and magnificent buildings, but also houses a large number of precious cultural relics. In 1860, the British and French allied forces looted the Old Summer Palace and took away all the items that could be taken away from it at that time. Large and difficult to move items such as porcelain were smashed. In the eyes of many people, the current Old Summer Palace only has ruins, but in reality, there are many unknown sites and cultural relics buried underground. "Hao Yexing said that since the 1990s, the Old Summer Palace has been continuously promoting archaeological work, A large number of cultural relics have been unearthed in the site, including porcelain, glass, stone components, etc. However, none of the porcelain unearthed in Yuanmingyuan is complete, and currently there are over 100000 pieces of porcelain fragments. The Yuanmingyuan "Restoration 1860" project mainly aims to restore more than 100000 pieces of porcelain fragments, bringing the shattered cultural relics back to the public intact. Every piece of porcelain fragment is a "witness" to history. With a reverence for history, Hao Yexing began to restore the first true historical relic in his life - the blue and white intertwined lotus embroidery pier. After labeling the porcelain fragments one by one, Hao Ye Xingchang took a breath. He has checked the information and found that this embroidery piece is of a large size, with a height of nearly half a meter and a diameter of about 40 centimeters before breaking it. However, the fragments in front of him are very small, some of which are only as large as nail caps. When Hao Yexing participated in the restoration, the fragments had already been selected and sorted out from tens of thousands of porcelain pieces. Even so, returning 132 fragments to their original positions was not an easy task. To be honest, just

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