"The 24th White Key Lost" invoiced and brought together the main creative teams in mainland, Taiwan, and Hong Kong
2023-03-27
"The 24th White Key Lost", the first original stage play produced by Minnan Grand Theater and brought together leading creative teams from mainland, Taiwan, and Hong Kong, was officially opened on the 26th. Yang Fushan filmed "The 24th White Key Lost", the first original stage play produced by Minnan Grand Theater and brought together the leading creative teams from mainland, Taiwan, and Hong Kong. The tickets were officially opened on the 26th, and will officially meet with the audience at the end of May. In the future, it will also carry out tours in Beijing, Guangzhou, Chengdu, Quanzhou, Jiangxi and other provinces and cities. On the same day, the original stage drama held a press conference, with Liang Zhimin, artistic director of Taiwan's Guotuo Theater, and well-known actors Jia Fan and Li Weiling attending the event. Industry insiders here say that this stage drama not only opens a new chapter in cultural and artistic exchanges and cooperation between the two sides of the Straits after the adjustment of epidemic prevention and control policies, but also is a special witness to the deep integration of culture and emotions among compatriots across the Straits. "The 24th White Key Lost" revolves around a clavichord with missing keys in the Piano Museum. In the process of searching for keys, the protagonist Xiao Qi and the heroine Zhu Mo discover a moving relationship that took place on the "Xiamen" and spanned more than 200 years. According to a person from Minnan Grand Theater, since the establishment of the project "The 24th White Key Lost", the script has been revised several times, many authoritative opinions on Xiamen history have been solicited, and dozens of stage scene design schemes have been created, striving to tell the story related to Xiamen in the most perfect way, "This work is not only a romantic story, but also a cultural card belonging to Xiamen and a new medium for the world to understand Xiamen." In recent years, Minnan Theater has made efforts to produce multiple high-quality original art works, including the original children's musical "Looking for Oasis" produced by the Chinese and British joint production, and the original musical "WeChat" produced by the two sides of the Taiwan Strait joint production; At the same time, we have extended our cross-border tentacles to visual art, held static exhibitions of outstanding works of Taiwan's visual art, such as "Beauty of the Horizon", "Future Theater" cross-border art video exhibitions, and this year's specially planned "Future Theater" cross-border art series exhibition at Minnan Grand Theater. Together with art experts from various fields, we explore new boundaries and demonstrate unique productivity and creativity. It is worth mentioning that "The 24th White Key Lost" has brought together the main creative teams from mainland China, Taiwan, and Hong Kong. It not only invited the new generation of popular actors Jia Fan and Li Weiling to perform, but also brought together the behind the scenes production team such as Liang Zhimin, the art director of the Taiwan Guotuo Theater, and well-known musicians Bao Bida. In an interview with reporters, Liang Zhimin, the chief editor of the stage play, said that the close communication between Xiamen and Taipei will be the biggest highlight of the play. At the same time, we also want to take this opportunity to bring a positive energy work towards hope and brightness to everyone in this "post epidemic" era that has devastated the hearts of the people. Luo Yan, who is the chief producer, said that in the past decade, the theater has continuously introduced a large number of Taiwan's stage art boutiques, and has also planned and held various exchange projects such as cross-strait art festivals and cross-strait art cross-border youth support programs; With the steady recovery of the cultural and art industry, we will work together with Taiwan's Guotuo Theater to "renew our momentum" and strive to create original stage plays. It is bound to combine the strengths of art from both sides of the Taiwan Strait, share the beauty, and shine brilliantly on the stage of Ludao
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