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More than 90 paintings by artists at home and abroad appeared in the 5th Global Chinese Art Exhibition

2022-12-19   

The picture shows the scene of the 5th Global Chinese Art Exhibition. The 5th Global Chinese Art Exhibition is being held at He Xiangning Art Museum in Shenzhen. The exhibition will last until March 2023. More than 90 works of 16 artists from China and living in Russia, Austria, Switzerland, Germany, France, the Netherlands, Norway, Denmark, Sweden, Iceland and other countries will participate in the exhibition. Cai Xianliang, the curator of He Xiangning Art Museum, introduced in an interview on the 19th that the exhibition was themed "Crossing Frozen Soil, Desert and Glacier" and was conducted in the structural mode of "1 (one piece of museum collection)+N (many overseas Chinese artists)", "While focusing on artists' creation, we also pay more attention to the relationship between artists' personal education, life experience, experience and creation. We hope to form an increasingly rich overseas Chinese artists' information bank and provide the function of overseas Chinese art think tank." Luo Xi, the artist who brought his painting Space, graduated from the Repin Academy of Fine Arts in Russia and has been growing, studying and living in St. Petersburg since he was five years old. Luo Xi said that he was an "illiterate" who could read and write Chinese characters. When he first learned to write, he thought Chinese characters were very interesting. Understanding how Chinese characters changed from pictographic characters to modern Chinese characters was a concept of breakthrough and innovation. "I use Chinese characters on the screen, and combine them with characters to form a strong sense of expression, making the screen diversified and interesting." Luo Xi said. It is understood that the exhibition further highlights the academic value and practical pertinence of the exhibition according to the characteristics of global population mobility and the creative characteristics and ways of thinking of artists in different environments. It not only gradually makes up for the shortcomings of the existing art history narrative from the perspective of ethnic groups, but also serves overseas Chinese and promotes their in-depth art exchanges, creating an influential professional platform. In addition, this year's exhibition uses chapters such as "dream", "totem", "labor", "change of shape", "use of things" and "spiritual journey" to watch the artistic concept and composition of Chinese artists from a mobile perspective, and closely understand the role of Chinese culture in the global ecology of the 21st century. (Liu Xinshe)

Edit:Ying Ying Responsible editor:Wang Chen

Source:www.chinanews.com.cn

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