In the touch collision, the "content of traditional culture" of young people has become higher
2021-12-01
"National style" is becoming a new fashion for young people. Behind the "fire" of national wind breaking circle is the "live" of traditional culture. The broad and profound Chinese culture can always evoke the cultural genes of young people from tradition to modernity. This vitality comes not only from the inheritance of skills and memory, but also from the narration for young people. It enables more and more young people to actively embrace traditional culture and explore the beauty of traditional culture. --------------- Some time ago, I smoked a blind box of ladies of the Tang Dynasty in a bookstore. When I opened it, the lady wore a high bun, her round face showed a healthy meat pink, and she carried big bags and small bags playfully and contentedly - the designer named it "shopping lady", just in response to the upcoming situation of "double 11". When I went home and put the lady on my desk, I looked at the brush next to me, Zhao Mengfu's calligraphy, and the book of songs, ancient prose Guanzhi and Shi Shuo Xin Yu with the orange cover of Zhonghua publishing house. I began to take a look at my daily life: in recent years, the "content of traditional culture" in my life seemed to be really high. Sometimes I get up early to do housework. I turn on the 24-hour TV series dream of Red Mansions. Because I've seen it countless times, I can connect it no matter where I start, and because there are new gains every time I look again, I've never been tired of it. For example, a classic dialogue between Jia's mother and grandma Liu was filled with laughter for the first time. Then she began to praise their high Eq. on the third time, she slowly figured out their compassion, the difficulty of life and Cao Gong's insight into world affairs and human feelings. After cleaning, it is suitable to pick up a small peach blossom Master Cup and sip Dianhong. I bought it in a pottery club in wudaoying Hutong one winter. I still remember the scene when the shopkeeper popularized ceramic culture for me: from the distinction between overglaze color and underglaze color, to the control of kiln temperature, to the history of Chai kiln firing... In that small world, seemingly "useless" knowledge points collided freely like particles, and we enjoyed this kind of thinking The joy of "escape". If you have nothing to do on the weekend, you can go to the bookstore and spend an afternoon reading Mr. Wang Shixiang's Ming style furniture appreciation in large format , I can't tell the difference between table and table, and I'm getting familiar with the origin and allusions of Luohan bed, Zen chair, rose chair and other categories. Or I can invite a friend to visit the ancient architecture museum to enjoy the beauty of Ying rafters. When I visited this summer, I was shocked by one of the beautiful caisson. In the center of the caisson is a vast star map, with 28 stars and 1400 stars. When the ground light shines on me All over the sea of stars, the original stuffy feeling was swept away, and the whole person was cool and comfortable. In recent years, traditional culture has been naturally integrated into life. This way of getting along is free for me. It is not utilitarian. There is neither strange alienation on the shelf nor awe and restraint that can only be viewed from a distance. I can freely enjoy the aesthetic pleasure, "100 million points of knowledge" and thinking inspiration brought by traditional culture. "At the beginning, it is very narrow, only then can we know people. After going back dozens of steps, it suddenly becomes clear." Chinese culture is implicit and deep. Most young people fall in love with traditional culture and have to go through a winding path to secluded areas. The development of cultural institutions and mass media has opened us one entrance to the "Peach Blossom Land" of culture. Some bloggers I pay attention to are committed to making the audience more deeply feel the charm of Chinese ancient prose, calligraphy and painting. Some of them will spend nearly an hour explaining the preface to King Teng's pavilion. With Wen Zhengming's words written in running script slowly unfolding, the blogger will draw the life experience of genius Wang Bo like a comet, "Ye Shui Zhu Hua" and "Linchuan's pen" And other allusions make people have a dual aesthetic feeling of aesthetics and thought. Some people will analyze that in the book of songs, Wei Feng and hooligan, women's ardent expectation of "no resumption of customs, tears and tears" to their resolute determination of "no thinking, no matter what!" enable readers to still have deep empathy after thousands of years. Others are urban planners in modern cities during the day, close the study door at night and incarnate "outside the cake" Walk through Bianliang, Tokyo, the capital of the Northern Song Dynasty, and then introduce to the readers how lively the railing tile roofed houses were at that time, what architectural concepts Li Jie and his French style of construction adhered to, and where Li Qingzhao and Zhao Mingcheng went to search for books Chinese culture is so broad and profound, and our literary and artistic works are so vivid. There is always a moment and a side that can arouse the cultural genes of young people and let the traditional culture enter everyone's modern life. The collision and harmony between tradition and modernity will also give young people more tentacles to perceive life. In recent years, my growing sense of belonging and pride in my hometown mostly stems from my understanding of the history and culture of Qi. Confucius heard Shao in Qi, lingering sound, and didn't know the meat taste in March. Yan Zi took soup and five tones as examples to discuss "harmony but difference" Nearly a hundred idioms from the state of Qi, such as the mainstay, standing shoulder to shoulder, and taking advantage of the situation... All these seem to make me wear a layer of "cultural filter" to re-examine, read and love this land with thousands of years of history. Therefore, no matter porcelain, furniture, poetry, calligraphy and painting, every understanding of one side of traditional culture is like mastering a new language, so that people can understand many internal opportunities under the appearance of "mediocrity and strangeness", and become more calm in the face of all kinds of life. Writing here, some people may think that my sample of "entering the pit" traditional culture is not typical, because there are neither Han clothes common in the news nor gorgeous "intangible cultural heritage" in life . but in my opinion, the diversity is the charm of traditional culture. Every young person can cut in from the most suitable angle and deeply embed traditional culture into his own life. Everything is just like the five tone harmony mentioned by Yan Zi. (outlook new era)
Edit:Yuanqi Tang Responsible editor:Xiao Yu
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